{"id":8364,"date":"2022-01-10T12:35:02","date_gmt":"2022-01-10T09:35:02","guid":{"rendered":"https:\/\/bestessayhomework.com\/tr\/?p=8364"},"modified":"2022-01-10T12:35:02","modified_gmt":"2022-01-10T09:35:02","slug":"destan-edebiyati-edebiyat-alaninda-tez-yaptirma-edebiyat-tez-yaptirma-ucretleri-edebiyat-odevleri-edebiyat-odev-ucretleri","status":"publish","type":"post","link":"https:\/\/bestessayhomework.com\/tr\/destan-edebiyati-edebiyat-alaninda-tez-yaptirma-edebiyat-tez-yaptirma-ucretleri-edebiyat-odevleri-edebiyat-odev-ucretleri\/","title":{"rendered":"Destan Edebiyat\u0131 \u2013 Edebiyat Alan\u0131nda Tez Yapt\u0131rma \u2013 Edebiyat Tez Yapt\u0131rma \u00dccretleri \u2013 Edebiyat \u00d6devleri \u2013 Edebiyat \u00d6dev \u00dccretleri"},"content":{"rendered":"

Destan Edebiyat\u0131<\/span><\/strong><\/h3>\n

Yerle\u015fik topluluklarda ve ayn\u0131 \u015fekilde g\u00f6\u00e7ebe kabileler aras\u0131nda, destanlar ve \u015fark\u0131 s\u00f6zleri, estetik deneyimin ve toplumsal dayan\u0131\u015fman\u0131n ba\u015fl\u0131ca arac\u0131 olarak hizmet etti. Uzun destanlardan biri olan O\u011fuzname’nin tamam\u0131 g\u00fcn\u00fcm\u00fcze ula\u015famam\u0131\u015f olsa da, k\u0131smen veya k\u0131smen g\u00fcn\u00fcm\u00fcze ula\u015fan malzeme, T\u00fcrkler aras\u0131nda bir ya\u015fam ve k\u00fclt\u00fcr panoramas\u0131 sunarken edebi evrimin s\u00fcreklili\u011fini g\u00f6sterir.\u00a0<\/span><\/p>\n

\u0130lk destanlar genellikle tanr\u0131lar\u0131n ve kahramanlar\u0131n \u015fiirsel olarak tasarlanm\u0131\u015f tasvirleridir. Bunlar\u0131n aras\u0131nda olduk\u00e7a ayr\u0131nt\u0131l\u0131 bir kozmogoni, T\u00fcrklerin ortaya \u00e7\u0131k\u0131\u015f\u0131n\u0131n mitsel anlat\u0131mlar\u0131, do\u011fa\u00fcst\u00fc olaylarla ilgili hikayeler ve bir\u00e7ok zafer ve yenilgi, g\u00f6\u00e7 ve felaket efsanesi buluyoruz.<\/span><\/p>\n

Destan edebiyat\u0131, kolektif bir yarat\u0131c\u0131 \u00e7aba olarak geli\u015fmi\u015f ve y\u00fczy\u0131llar boyunca \u00f6nemli de\u011fi\u015fikliklerle, genellikle ozan veya bazen de bah\u015fi denilen \u00e2\u015f\u0131klar taraf\u0131ndan ya\u015fat\u0131lm\u0131\u015ft\u0131r.<\/span><\/p>\n

Yarat\u0131l\u0131\u015f efsanesi, belki de T\u00fcrk efsanelerinin en eskisi, evrenin k\u00f6kenini tek bir yarat\u0131c\u0131ya, Beyaz Anne’nin sudan \u00e7\u0131kan y\u00fcz\u00fcn\u00fcn g\u00f6r\u00fcn\u00fcm\u00fcnde ilham\u0131n\u0131 bulan tanr\u0131 Kara Han’a kadar takip eder. Kara Han’\u0131n ilk yarat\u0131\u011f\u0131, yarat\u0131c\u0131s\u0131ndan daha y\u00fckse\u011fe \u00e7\u0131kmaya \u00e7al\u0131\u015fan insand\u0131r. Bu nedenle insan u\u00e7ma g\u00fcc\u00fcnden yoksun b\u0131rak\u0131l\u0131r ve d\u00fcnya ya\u015fam\u0131na mahk\u00fbm olur. \u015eeytan efsanede insandan daha g\u00fc\u00e7l\u00fc ama Tanr\u0131’n\u0131n \u00f6n\u00fcnde g\u00fc\u00e7s\u00fcz olarak g\u00f6sterilir.<\/span><\/p>\n

\u0130lk T\u00fcrklerin animist ve pagan ibadet bi\u00e7imleri vard\u0131. \u015eamanizm bir\u00e7ok toplulukta h\u00fck\u00fcm s\u00fcrd\u00fc. \u0130slam \u00f6ncesi T\u00fcrk efsanelerindeki ahlaki temalar\u0131n \u00e7o\u011fu, iyi ile k\u00f6t\u00fcy\u00fc kar\u015f\u0131la\u015ft\u0131rmaya \u00e7al\u0131\u015fan metaforlar olarak kar\u015f\u0131m\u0131za \u00e7\u0131kar. Bask\u0131n g\u00f6r\u00fc\u015f antropomorfiktir.<\/span>
\nPop\u00fcler Bozkurt efsanesinin geni\u015fletilmi\u015f versiyonu olan Ergenekon destan\u0131, totem tanr\u0131s\u0131 Bozkurt’un \u00fcremesi ve korumas\u0131 sayesinde yok olmaktan kurtulan b\u00fcy\u00fck bir T\u00fcrk toplulu\u011funun pikaresk bir tasviridir.<\/span><\/p>\n

Bir hayatta kalma hikayesi olan Ergenekon, ge\u00e7it vermeyen da\u011flarla \u00e7evrili bir \u00f6l\u00fcm vadisinde hapsedilen T\u00fcrklerin, z\u0131rhl\u0131 bir da\u011fdan t\u00fcnel kazarak Bozkurt’un rehberli\u011finde vadiden nas\u0131l ka\u00e7t\u0131klar\u0131n\u0131n hikayesiyle son buluyor.<\/span><\/p>\n

Yaz\u0131l\u0131 edebi eserlerin en eski \u00f6rnekleri aras\u0131nda kuzeydo\u011fu Mo\u011folistan’\u0131n Yenisey Vadisi’nde bulunan an\u0131t tabletler, ta\u015f monolitler ve steller ile modern \u00c7in’in Sinkiang b\u00f6lgesinde ortaya \u00e7\u0131kar\u0131lan belgeler yer almaktad\u0131r. Yedinci y\u00fczy\u0131ldan dokuzuncu y\u00fczy\u0131la kadar uzanan bu eserler, T\u00fcrklerin \u00c7inlilere kar\u015f\u0131 yapt\u0131klar\u0131 sava\u015flar\u0131n hikayelerini, \u00e7e\u015fitli efsaneleri ve Uygur T\u00fcrk\u00e7esi ile yaz\u0131lm\u0131\u015f \u00e7ok say\u0131da (\u00e7o\u011funlukla \u00c7ince terc\u00fcmesi bulunan) manzum \u00f6rneklerini i\u00e7ermektedir.<\/span><\/p>\n

Uygur d\u00f6neminde geli\u015fen destans\u0131 edebiyat, kabilelerin ortaya \u00e7\u0131k\u0131\u015f\u0131n\u0131n, gezici maceralar\u0131n\u0131n, do\u011fal afetlere ve d\u00fc\u015fman topluluklara kar\u015f\u0131 hayatta kalma m\u00fccadelelerinin, g\u00f6\u00e7\u00fcn ve adaletsizli\u011fin, cesur eylemlerin ve toplumsal \u00e7\u00f6z\u00fclmenin, zaferin ve k\u00f6leli\u011fin bir anlat\u0131m\u0131d\u0131r.<\/span><\/p>\n

\n

Destan<\/a> nedir k\u0131saca<\/span>
\nT\u00fcrk Destanlar\u0131 k\u0131sa<\/span>
\nDestan Nedir \u00d6zellikleri<\/span>
\nT\u00fcrk Destanlar\u0131 hakk\u0131nda k\u0131sa bilgi<\/span>
\nT\u00fcrklere ait destanlar<\/span>
\nDestan Nedir 4 S\u0131n\u0131f<\/span>
\nDo\u011fal destan \u00f6rnekleri<\/span>
\nDo\u011fal destan nedir<\/span><\/p>\n

\n

Bu d\u00f6neme ait sa\u011flam kalan tek uzun destan, k\u00f6keni muhtemelen yirmi y\u00fczy\u0131la kadar geriye gidebilecek olan O\u011fuz destan\u0131d\u0131r. Efsanevi kahraman O\u011fuz’un hayat\u0131ndaki insan\u00fcst\u00fc ve d\u00fcnyevi b\u00f6l\u00fcmlerin ayr\u0131nt\u0131l\u0131 ve lirik bir tasviridir. Odak temalar kahramanl\u0131k ve hayatta kalma m\u00fccadelesidir. Mucizeleri g\u00fcnl\u00fck ya\u015famla harmanlayan destan, do\u011fan\u0131n g\u00fcc\u00fc ve g\u00fczelli\u011finin motiflerinden yararlan\u0131r. Aralar\u0131na serpi\u015ftirilmi\u015f lirik pasajlar, eski T\u00fcrk \u015fiirinin \u00f6z ve bi\u00e7im bak\u0131m\u0131ndan bu erken d\u00f6nemde kayda de\u011fer bir sanat d\u00fczeyine ula\u015ft\u0131\u011f\u0131n\u0131n bir ba\u015fka kan\u0131t\u0131d\u0131r.<\/span><\/p>\n

\u0130lk T\u00fcrk topluluklar\u0131, farkl\u0131 sosyal ve rit\u00fcel durumlar i\u00e7in bir\u00e7ok \u015fiir \u00fcretti. Avdan \u00f6nce (s\u0131\u011f\u0131r) yap\u0131lan yar\u0131 dinsel t\u00f6renlerde ve avdan sonra (\u015f\u00f6len) \u015fenliklerde \u015fiir okumak adettendi. \u015eiir, sagu ad\u0131 verilen a\u011f\u0131tlar\u0131n okundu\u011fu cenaze t\u00f6renlerinin ve anma t\u00f6renlerinin (yu\u011f) hayati bir bile\u015feniydi. \u015eenliklerde sevin\u00e7 ve sevgi \u015fiirlerine yer verildi. Toplu e\u011flencenin bir par\u00e7as\u0131 olarak sunulan \u015fark\u0131lar\u0131n s\u00f6zleri, \u015fiirsel bilginin \u00f6nemli bir b\u00f6l\u00fcm\u00fcn\u00fc temsil ediyordu.<\/span><\/p>\n

\u0130slamiyet \u00f6ncesi d\u00f6nemde T\u00fcrkler, dizelerini bir sat\u0131rda bir veya iki durak ile ayn\u0131 say\u0131da heceye dayanan yerli nicel \u00f6l\u00e7\u00fclerde bestelediler. Genellikle d\u00f6rt sat\u0131rl\u0131k birimler halindeki k\u0131ta bi\u00e7imi, b\u00fcy\u00fck \u00f6l\u00e7\u00fcde kafiyeye dayan\u0131yordu, en s\u0131k g\u00f6r\u00fclen kal\u0131p abab \/ cccb \/ dddb idi. \u0130lk \u015fiirlerin baz\u0131lar\u0131nda kafiyeler dizelerin sonunda de\u011fil, ba\u015flar\u0131nda yer alm\u0131\u015ft\u0131r.<\/span><\/p>\n

\u0130lk y\u00fczy\u0131llar\u0131n lirik ve epik gelenekleri, Osmanl\u0131 \u00f6ncesi d\u00f6nemin \u015faheserlerine yol a\u00e7m\u0131\u015ft\u0131r: Divan\u00fc L\u00fcg\u00e2ti’t T\u00fcrk, T\u00fcrk dilbilimi ve \u015fiirinin ansiklopedik bir \u00f6zeti; \u015fehzadelerin aynas\u0131 Kutadgu Bilig; ve evrenselci h\u00fcmanizmiyle dikkat \u00e7eken Yunus Emre’nin mistik halk \u015fiiri.<\/span><\/p>\n

Erken d\u00f6nem T\u00fcrk \u015fiirinin baz\u0131 g\u00fczel ba\u015far\u0131lar\u0131, on birinci y\u00fczy\u0131l\u0131n sonlar\u0131nda K\u00e2\u015fgarl\u0131 Mahmud taraf\u0131ndan Divan\u00fc L\u00fcg\u00e2ti’t T\u00fcrk ba\u015fl\u0131\u011f\u0131 alt\u0131nda derlenen T\u00fcrk dillerinin kapsaml\u0131 ara\u015ft\u0131rmas\u0131nda korunmu\u015ftur. \u201cMilli k\u00fclt\u00fcrel bilincin\u201d bu ilk eseri, kahramanlara tap\u0131nma ve a\u011f\u0131tlar\u0131n yan\u0131 s\u0131ra a\u015fk ve kederin bir\u00e7ok s\u00f6zlerini i\u00e7erir.<\/span><\/p>\n

Bin y\u0131l \u00f6nce 2008 y\u0131l\u0131nda do\u011fumu kutlanan K\u00e2\u015fgarl\u0131 Mahmud, Divan\u00fc L\u00fcg\u00e2ti’t T\u00fcrk’te, T\u00fcrklerin askeri ve siyasi g\u00fcc\u00fcne Allah’\u0131n l\u00fctfunu bah\u015feden, muhtemelen uydurma bir hadisi zikreder: \u201c Cenab-\u0131 Hak, ‘T\u00fcrk ad\u0131n\u0131 verdi\u011fim bir ordum var. T\u00fcrkleri do\u011fuya yerle\u015ftirdim. Ne zaman bir millet can\u0131m\u0131 s\u0131karsa o milletin \u00fczerine T\u00fcrkleri g\u00f6nderirim.\u201d Mahmud ayr\u0131ca \u201cT\u00fcrk\u00e7e \u00f6\u011frenin, \u00e7\u00fcnk\u00fc T\u00fcrk padi\u015fahlar\u0131 daha uzun y\u0131llar h\u00fck\u00fcm s\u00fcrer\u201d demi\u015fti.<\/span><\/p>\n

Yusuf Has H\u00e2cib’in Kutadgu Bilig’in yaz\u0131m\u0131 Divan\u00fc L\u00fcg\u00e2ti’t T\u00fcrk’\u00fcnkiyle hemen hemen \u00f6rt\u00fc\u015fmektedir. Yine de bu iki eserin y\u00f6nelimi bundan daha farkl\u0131 olamazd\u0131: Divan, \u00e7o\u011funlukla Arap\u00e7a yaz\u0131lm\u0131\u015f olmas\u0131na ra\u011fmen, \u00f6z\u00fcnde \u201cT\u00fcrk\u201d iken, Kutadgu Bilig h\u00fck\u00fcmet, adalet ve ahlak \u00fczerine manzum (yakla\u015f\u0131k 6.500 beyit) an\u0131tsal bir felsefi incelemedir. Yazar\u0131n imlas\u0131, kelime da\u011farc\u0131\u011f\u0131 ve prozodisi dahil olmak \u00fczere Arap ve Fars k\u00fclt\u00fcr\u00fcn\u00fcn \u0130slami kavramlar\u0131n\u0131 \u00f6z\u00fcmsemesini yans\u0131t\u0131r.<\/span><\/p>\n

Bu e\u015fitsizlik, T\u00fcrk edebiyat\u0131n\u0131 yirminci y\u00fczy\u0131la, yani Benedetto Croce’nin iki kategorisini kullan\u0131rsak, poesia d’arte ve poesia popolare aras\u0131ndaki u\u00e7uruma ay\u0131ran u\u00e7urum olacakt\u0131. \u0130lki se\u00e7kin, bilgili, s\u00fcsl\u00fc, rafine edebiyat\u0131 temsil eder; ikincisi spontane, yerli, ger\u00e7ek\u00e7i, al\u00e7akg\u00f6n\u00fcll\u00fc s\u00f6zl\u00fc edebiyat\u0131 temsil eder.<\/span><\/p>\n

Poesia d’arte hemen hemen her zaman kentsel bir fenomendir, oysa poesia popolare genellikle k\u0131rsalda geli\u015fir. \u0130lki, ad\u0131ndan da anla\u015f\u0131laca\u011f\u0131 gibi, \u201csanat i\u00e7in sanat\u201d ilkesine g\u00fc\u00e7l\u00fc bir ba\u011fl\u0131l\u0131\u011fa sahipken, ikincisi, i\u015flev ve i\u00e7erik a\u00e7\u0131s\u0131ndan a\u011f\u0131rl\u0131kl\u0131 olarak me\u015fgul veya faydac\u0131d\u0131r.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

Destan Edebiyat\u0131 Yerle\u015fik topluluklarda ve ayn\u0131 \u015fekilde g\u00f6\u00e7ebe kabileler aras\u0131nda, destanlar ve \u015fark\u0131 s\u00f6zleri, estetik deneyimin ve toplumsal dayan\u0131\u015fman\u0131n ba\u015fl\u0131ca arac\u0131 olarak hizmet etti. Uzun destanlardan biri olan O\u011fuzname’nin tamam\u0131 g\u00fcn\u00fcm\u00fcze ula\u015famam\u0131\u015f olsa da, k\u0131smen veya k\u0131smen g\u00fcn\u00fcm\u00fcze ula\u015fan malzeme, T\u00fcrkler aras\u0131nda bir ya\u015fam ve k\u00fclt\u00fcr panoramas\u0131 sunarken edebi evrimin s\u00fcreklili\u011fini g\u00f6sterir.\u00a0 \u0130lk destanlar genellikle…
Devam\u0131<\/a><\/p>\n","protected":false},"author":6,"featured_media":8367,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[18201,18203,18204,18202,18205],"tags":[18211,18206,18208,18213,18212,18209,18207,18210],"class_list":["post-8364","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-destan-nedir-kisaca","category-destan-nedir-ozellikleri","category-turk-destanlari-hakkinda-kisa-bilgi","category-turk-destanlari-kisa","category-turklere-ait-destanlar","tag-destan-nedir-4-sinif","tag-destan-nedir-kisaca","tag-destan-nedir-ozellikleri","tag-dogal-destan-nedir","tag-dogal-destan-ornekleri","tag-turk-destanlari-hakkinda-kisa-bilgi","tag-turk-destanlari-kisa","tag-turklere-ait-destanlar"],"aioseo_notices":[],"aioseo_head":"\n\t\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t