{"id":8476,"date":"2022-01-12T13:10:05","date_gmt":"2022-01-12T10:10:05","guid":{"rendered":"https:\/\/bestessayhomework.com\/tr\/?p=8476"},"modified":"2022-01-12T13:10:05","modified_gmt":"2022-01-12T10:10:05","slug":"mehmet-kaplan-edebiyat-alaninda-tez-yaptirma-edebiyat-tez-yaptirma-ucretleri-edebiyat-odevleri-edebiyat-odev-ucretleri","status":"publish","type":"post","link":"https:\/\/bestessayhomework.com\/tr\/mehmet-kaplan-edebiyat-alaninda-tez-yaptirma-edebiyat-tez-yaptirma-ucretleri-edebiyat-odevleri-edebiyat-odev-ucretleri\/","title":{"rendered":"Mehmet Kaplan \u2013 Edebiyat Alan\u0131nda Tez Yapt\u0131rma \u2013 Edebiyat Tez Yapt\u0131rma \u00dccretleri \u2013 Edebiyat \u00d6devleri \u2013 Edebiyat \u00d6dev \u00dccretleri"},"content":{"rendered":"

Mehmet Kaplan<\/span><\/strong><\/h3>\n

Mehmet Kaplan (1915\u201386), on dokuzuncu y\u00fczy\u0131ldan itibaren d\u00f6nemin \u015fiir ve k\u0131sa kurmacalar\u0131 \u00fczerine zekice analizler yapt\u0131. Ayr\u0131ca erken d\u00f6nem T\u00fcrk edebiyat\u0131na dair \u00e7ok say\u0131da uyar\u0131c\u0131 \u00e7al\u0131\u015fma \u00fcretti. Eserindeki bir kusur, \u00e7a\u011fda\u015flar\u0131n\u0131n \u00e7o\u011funa, \u00f6zellikle Naz\u0131m Hikmet ve di\u011fer sosyalist yazarlara ili\u015fkin \u00e7e\u015fitli yanl\u0131\u015f yarg\u0131lardan kaynaklanmaktad\u0131r.<\/span><\/p>\n

\u00c7ok say\u0131da sosyalist edebiyat ele\u015ftirisi, yirminci y\u00fczy\u0131l\u0131n ikinci yar\u0131s\u0131nda ideolojik olarak etkili oldu\u011funu kan\u0131tlad\u0131. Cevdet Kudret (1907\u201392), Memet Fuat (1926\u20132002), Selahattin Hilav (1928\u20132005), As\u0131m Bezirci (1927\u201393), Fethi Naci (1927\u20132008) ve di\u011ferleri bu okulun \u00f6nemli \u00fcyeleriydi.<\/span><\/p>\n

Sabahattin Eyubo\u011flu (1908\u201373), Vedat G\u00fcnyol (1911\u20132004), Adnan Benk (1922\u201398) ve Murat Belge (d. 1943), kibar ve bilgili makaleler \u00fcretmede ba\u015far\u0131l\u0131 oldular. \u0130deolojik olarak tarafs\u0131z ele\u015ftirel \u00e7al\u0131\u015fmalar Suut Kemal Yetkin (1903\u201380), Azra Erhat (1915\u201382), H\u00fcseyin C\u00f6nt\u00fcrk (1918\u20132003), Tahir Alangu (1916\u201373), Rauf Mutluay (1925\u201395), Konur Ertop \u00a0ve di\u011ferleri.<\/span><\/p>\n

T\u00fcm zamanlar\u0131n en \u00fcretken ele\u015ftirmeni Do\u011fan H\u0131zlan (d. 1937), T\u00fcrk edebiyat\u0131n\u0131n \u201cvicdan\u0131\u201d olarak i\u015flev g\u00f6rmekte, tarafs\u0131z ve te\u015fvik edici ele\u015ftirmenler aras\u0131nda ba\u015f\u0131 \u00e7ekmektedir. Ahmet Oktay (d. 1933), Adnan Binyazar (d. 1934), Adnan \u00d6zyal\u00e7\u0131ner (d. 1934), Orhan Ko\u00e7ak (d. 1948), Feridun Anda\u00e7 (d. 1954), Semih G\u00fcm\u00fc\u015f (d. 1956) da bu gruptand\u0131r. ), F\u00fcsun Akatl\u0131 (1944\u20132010), Cem Erciyes, \u00d6mer T\u00fcrke\u015f, Cemil Meri\u00e7 (1916\u201387), Nermi Uygur (1925\u20132005), Be\u015fir Ayvazo\u011flu (d. 1952), Hasan B\u00fclent Kahraman ve di\u011ferleri.<\/span><\/p>\n

\u0130ngiliz edebiyat\u0131 ara\u015ft\u0131rmac\u0131s\u0131 Berna Moran (1921\u201393), edebiyat teorileri ve bunlar\u0131n T\u00fcrk edebiyat\u0131na uygulanabilirli\u011fi hakk\u0131nda sonraki y\u0131llarda ele\u015ftirmenler i\u00e7in rehber kitap haline gelen birka\u00e7 b\u00fcy\u00fck kitap \u00fcretti. Harvard \u00dcniversitesi’nde kar\u015f\u0131la\u015ft\u0131rmal\u0131 edebiyat doktoras\u0131 yapan Jale Parla, \u00f6zellikle \u00f6nemli eseri Don Ki\u015fot’tan Bug\u00fcne Roman’\u0131n g\u00fcc\u00fcyle belki de en \u00f6nemli T\u00fcrk akademik kurgu ele\u015ftirmeni olarak kar\u015f\u0131m\u0131za \u00e7\u0131k\u0131yor.\u00a0<\/span>Dilek Dolta\u015f, Y\u0131ld\u0131z Ecevi Sibel Irz\u0131k, Nurdan G\u00fcrbilek \u00a0ve N\u00fcket Esen ba\u015far\u0131l\u0131 akademik ele\u015ftirmenler aras\u0131ndad\u0131r.<\/span><\/p>\n

\u015eair ve yay\u0131nc\u0131 kimli\u011fiyle de \u00fcne kavu\u015fan Enis Batur, ku\u015fa\u011f\u0131n\u0131n en ilgin\u00e7 edebiyat\u00e7\u0131lar\u0131ndan birine sahip ve bir\u00e7ok bak\u0131mdan modern T\u00fcrkiye’nin yaratmaya \u00e7al\u0131\u015ft\u0131\u011f\u0131 k\u00fclt\u00fcrel sentezin ideal sembol\u00fc ve s\u00f6zc\u00fcs\u00fc konumunda bulunuyor.\u00a0<\/span><\/p>\n

Edebi ele\u015ftiri hakk\u0131nda yararl\u0131 bir g\u00f6zlem, onun hi\u00e7bir zaman daha tarafs\u0131z ya da nesnel olmad\u0131\u011f\u0131, hi\u00e7bir zaman ideolojik \u00f6nyarg\u0131lardan ya da polemiklerden bu kadar \u00f6zg\u00fcr olmad\u0131\u011f\u0131d\u0131r. Yazarlar i\u00e7in T\u00fcrkiye’nin \u015fimdiye kadarki en geni\u015f \u00f6zg\u00fcrl\u00fc\u011f\u00fcnden yararlan\u0131yor. Muhtemelen her zamankinden daha rafine ve uygulay\u0131c\u0131lar\u0131 Bat\u0131 d\u00fcnyas\u0131nda bol miktarda bulunan edebi teorilere daha az g\u00fcvenirse ve kendine \u00f6zg\u00fc kimli\u011fi ve \u00f6zg\u00fcnl\u00fc\u011f\u00fc de\u011ferlendirmede daha etkili bir \u015fekilde hizmet edecek kendi teorilerini yarat\u0131rsa, b\u00fcy\u00fck olas\u0131l\u0131kla etkileyici ad\u0131mlar atacakt\u0131r.\u00a0<\/span><\/p>\n

T\u00fcrk edebiyat\u0131n\u0131n ge\u00e7mi\u015f bin y\u0131l\u0131, hakl\u0131 olarak, \u00e7ok ihti\u015faml\u0131 olarak nitelendirilebilir. \u015eiir ve anlat\u0131mdaki s\u00f6zl\u00fc gelene\u011fi ve t\u00fcm t\u00fcrlerdeki yaz\u0131l\u0131 miras\u0131, milletin hayal g\u00fcc\u00fcn\u00fcn ve yarat\u0131c\u0131l\u0131\u011f\u0131n\u0131n kan\u0131t\u0131d\u0131r. Bin y\u0131l i\u00e7inde Orta Asya’dan Kafkasya’ya, Ortado\u011fu’ya, Balkanlar’a ve \u00f6tesine uzand\u0131. Do\u011fudan ve Bat\u0131dan, Kuzeyden ve G\u00fcneyden gelen etkileri benimsemi\u015ftir.<\/span><\/p>\n

Sonu\u00e7 olarak, Avrupa ve Amerika’n\u0131n estetik stratejilerini i\u00e7eren kendi sentezini yaratt\u0131. Ke\u015fifleri ve ba\u015far\u0131lar\u0131n\u0131n \u00e7e\u015fitlili\u011fi takdire \u015fayan. Evrensel \u00e7al\u0131\u015fmas\u0131, 2006 y\u0131l\u0131nda romanc\u0131 Orhan Pamuk’a Nobel Edebiyat \u00d6d\u00fcl\u00fc verildi\u011finde \u201conayland\u0131\u201d.\u00a0Bu k\u00f6kl\u00fc ve g\u00fc\u00e7l\u00fc edebiyat\u0131n ikinci biny\u0131l\u0131, muhtemelen say\u0131s\u0131z etkileyici ba\u015far\u0131 ile i\u015faretlenecektir.<\/span><\/p>\n

\n

Mehmet Kaplan<\/a> Eserleri<\/span>
\nMehmet Kaplan Hayat\u0131<\/span>
\nMehmet Kaplan makaleleri<\/span>
\nMehmet Kaplan deneme<\/span>
\nMehmet Kaplan kimin o\u011flu<\/span>
\nBehice Kaplan<\/span>
\nMehmet Kaplan, Duygu<\/span>
\nMehmet Kaplan Sanat Anlay\u0131\u015f\u0131<\/span><\/p>\n

\n

T\u00fcrk Edebiyat\u0131n\u0131n Gelece\u011fi<\/span><\/strong><\/h3>\n

\u015eiirin neredeyse T\u00fcrk edebiyat\u0131na egemen oldu\u011fu bir ger\u00e7ektir.<\/span>\u00a0Ancak yirminci y\u00fczy\u0131l\u0131n ikinci yar\u0131s\u0131nda \u015fiir, hegemonyas\u0131n\u0131 \u015fimdiki \u00e7a\u011fda kuran kurgu taraf\u0131ndan g\u00f6lgede b\u0131rak\u0131ld\u0131.\u00a0<\/span>Orhan Pamuk’un 2006’da Nobel Edebiyat \u00d6d\u00fcl\u00fc’n\u00fc kazanmas\u0131 bu olguda ku\u015fkusuz b\u00fcy\u00fck rol oynam\u0131\u015ft\u0131r, ancak Pamuk’un tek ba\u015far\u0131s\u0131 olmasa bile roman t\u00fcr\u00fcn\u00fcn y\u00fckseli\u015fe ge\u00e7ebilece\u011fini s\u00f6ylemek yanl\u0131\u015f olmayacakt\u0131r.<\/span><\/p>\n

Avrupal\u0131la\u015fman\u0131n on dokuzuncu y\u00fczy\u0131l\u0131n ortalar\u0131nda T\u00fcrk k\u00fclt\u00fcr\u00fcne yapt\u0131\u011f\u0131 bask\u0131nlardan \u00f6nce, se\u00e7kin \u015fairler (ve genel olarak ayd\u0131nlar) d\u00fczyaz\u0131y\u0131 kolay, \u015fiirden a\u015fa\u011f\u0131 olarak reddediyorlard\u0131. Ayn\u0131 \u015fekilde, s\u00f6zl\u00fc halk \u015fiiri k\u0131rsal alanlarda egemen olmu\u015ftu ve hakl\u0131 olarak masallarda ve anlat\u0131larda b\u00fcy\u00fcleyici yarat\u0131c\u0131l\u0131kla \u00f6v\u00fcnebilirdi.<\/span><\/p>\n

\u015eimdi, yirmi birinci y\u00fczy\u0131l\u0131n ba\u015flar\u0131nda, T\u00fcrk \u015fiiri yorgun kandan k\u0131vran\u0131yor gibi g\u00f6r\u00fcn\u00fcyor. Paragonlar ve efsanevi ustalar gitti. Ge\u00e7mi\u015fte, bu ayd\u0131nlar\u0131n \u00e7o\u011fu, be\u011fenilen k\u00fclt\u00fcrel kahramanlar olarak duruyordu. Bug\u00fcn, birka\u00e7 sayg\u0131n fig\u00fcr seksenlerinde veya doksanlar\u0131nda. Baz\u0131 gen\u00e7 uygulay\u0131c\u0131lar tan\u0131nmay\u0131 ba\u015farm\u0131\u015f olsa da, 1980’lerde ortaya \u00e7\u0131kan \u015fiirsel yeteneklerin \u00e7o\u011fu, yarat\u0131c\u0131 enerjilerini kurguya kanalize etti.<\/span><\/p>\n

\u00c7ok say\u0131da b\u00fcy\u00fck yay\u0131nc\u0131, \u015fiir kitaplar\u0131n\u0131n ve antolojilerin yay\u0131n\u0131n\u0131 sonland\u0131rmak veya ask\u0131ya almak zorunda kald\u0131. Bu t\u00fcr kitaplar\u0131n sat\u0131\u015flar\u0131 art\u0131k \u00e7ok d\u00fc\u015f\u00fck. Bir zamanlar kitap ve dergilerdeki \u015fiirlere \u00e2\u015f\u0131k olan okur kitlesi bu tutkudan vazge\u00e7mi\u015f g\u00f6r\u00fcn\u00fcyor. Bu anlamda T\u00fcrkiye, birka\u00e7 on y\u0131l \u00f6nce \u0130ngilizce konu\u015fulan d\u00fcnya, Avrupa ve Latin Amerika’da \u015fiirin pop\u00fclaritesini ve prestijini alt \u00fcst eden d\u00fc\u015f\u00fc\u015f\u00fc ya\u015f\u0131yor.<\/span><\/p>\n

Mevcut \u015fiirsel \u00e7\u0131kt\u0131n\u0131n daha d\u00fc\u015f\u00fck kalibreli oldu\u011fundan de\u011fil. Basit\u00e7e s\u00f6ylemek gerekirse, \u015fiirsel yarat\u0131c\u0131l\u0131k, roman\u0131n mevcut g\u00fcc\u00fc taraf\u0131ndan g\u00f6lgede b\u0131rak\u0131lm\u0131\u015ft\u0131r. Sorunu daha da karma\u015f\u0131kla\u015ft\u0131ran \u015fey, ba\u015far\u0131l\u0131 T\u00fcrk\u00e7e m\u0131sralar\u0131n \u00e7o\u011funun anla\u015f\u0131lmaz, m\u00fcstehcen ve eri\u015filemez olmas\u0131 – halk\u0131n \u0130nternet’in kolay \u00e7ekicili\u011fine bay\u0131ld\u0131\u011f\u0131 bir zamanda \u00e7ok talepkar olmas\u0131d\u0131r.<\/span><\/p>\n

Yirminci y\u00fczy\u0131l\u0131n ikinci yar\u0131s\u0131nda etkileyici bir ba\u015far\u0131 elde eden oyunlarla kar\u015f\u0131la\u015ft\u0131r\u0131ld\u0131\u011f\u0131nda dramatik yazarl\u0131kta da benzer bir d\u00fc\u015f\u00fc\u015f e\u011filimi g\u00f6r\u00fclmektedir. O d\u00f6nemin h\u00e2l\u00e2 hayatta olan \u00f6nemli oyun yazarlar\u0131 bile oyun yazmay\u0131 b\u0131rakm\u0131\u015flar ya da daha az virt\u00fc\u00f6zle\u015fmi\u015f g\u00f6r\u00fcn\u00fcyorlar. Tiyatro i\u00e7in yazmas\u0131 beklenen yeni yetenekler, daha kazan\u00e7l\u0131 televizyon dizilerine veya filmlere odaklan\u0131yor.<\/span><\/p>\n

Canl\u0131 sahnenin perdeye yol a\u00e7ma tehlikesi orada beliriyor. Yine de tiyatrolar (devlet, b\u00fcy\u00fck veya k\u00fc\u00e7\u00fck belediyeler, ba\u011f\u0131ms\u0131zlar ve \u00fcniversiteler taraf\u0131ndan y\u00f6netilen) kapsaml\u0131 tiyatro etkinliklerini canland\u0131rmaya devam ediyor. \u015eu anki sahneye canlanmalar, T\u00fcrk olmayan klasikler ve modern Avrupa ve Amerika hitlerinin \u00e7evirileri hakim olsa da, canl\u0131l\u0131\u011f\u0131 o kadar y\u00fcksek ki y\u00fcksek kaliteli yerli oyun yazarl\u0131\u011f\u0131 yeniden canlanacakt\u0131r.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

Mehmet Kaplan Mehmet Kaplan (1915\u201386), on dokuzuncu y\u00fczy\u0131ldan itibaren d\u00f6nemin \u015fiir ve k\u0131sa kurmacalar\u0131 \u00fczerine zekice analizler yapt\u0131. Ayr\u0131ca erken d\u00f6nem T\u00fcrk edebiyat\u0131na dair \u00e7ok say\u0131da uyar\u0131c\u0131 \u00e7al\u0131\u015fma \u00fcretti. Eserindeki bir kusur, \u00e7a\u011fda\u015flar\u0131n\u0131n \u00e7o\u011funa, \u00f6zellikle Naz\u0131m Hikmet ve di\u011fer sosyalist yazarlara ili\u015fkin \u00e7e\u015fitli yanl\u0131\u015f yarg\u0131lardan kaynaklanmaktad\u0131r. \u00c7ok say\u0131da sosyalist edebiyat ele\u015ftirisi, yirminci y\u00fczy\u0131l\u0131n ikinci yar\u0131s\u0131nda…
Devam\u0131<\/a><\/p>\n","protected":false},"author":6,"featured_media":8479,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[18467,18465,18466,18468],"tags":[18474,9261,18472,18469,18470,18473,18471,18475],"class_list":["post-8476","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-mehmet-kaplan-deneme","category-mehmet-kaplan-eserleri","category-mehmet-kaplan-hayati","category-mehmet-kaplan-kimin-oglu","tag-duygu","tag-mehmet-kaplan","tag-mehmet-kaplan-deneme","tag-mehmet-kaplan-eserleri","tag-mehmet-kaplan-hayati","tag-mehmet-kaplan-kimin-oglu-behice-kaplan","tag-mehmet-kaplan-makaleleri","tag-mehmet-kaplan-sanat-anlayisi"],"aioseo_notices":[],"aioseo_head":"\n\t\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t