{"id":8537,"date":"2022-01-18T12:43:38","date_gmt":"2022-01-18T09:43:38","guid":{"rendered":"https:\/\/bestessayhomework.com\/tr\/?p=8537"},"modified":"2022-01-18T12:43:38","modified_gmt":"2022-01-18T09:43:38","slug":"el-yazmasi-edebiyat-alaninda-tez-yaptirma-edebiyat-tez-yaptirma-ucretleri-edebiyat-odevleri-edebiyat-odev-ucretleri","status":"publish","type":"post","link":"https:\/\/bestessayhomework.com\/tr\/el-yazmasi-edebiyat-alaninda-tez-yaptirma-edebiyat-tez-yaptirma-ucretleri-edebiyat-odevleri-edebiyat-odev-ucretleri\/","title":{"rendered":"El Yazmas\u0131 \u2013 Edebiyat Alan\u0131nda Tez Yapt\u0131rma \u2013 Edebiyat Tez Yapt\u0131rma \u00dccretleri \u2013 Edebiyat \u00d6devleri \u2013 Edebiyat \u00d6dev \u00dccretleri"},"content":{"rendered":"

T\u0131p Eserleri <\/span><\/strong><\/h3>\n

1961 y\u0131l\u0131na kadar Fars\u00e7a ve Arap\u00e7a eserlerin sponsoru olan Fa\u1e2breddin \u012as\u0101 Beg’in ad\u0131yla ili\u015fkilendirilen hi\u00e7bir T\u00fcrk\u00e7e esere rastlanmam\u0131\u015ft\u0131r. Ancak H\u00e2cc\u00ee Pa\u015fa’n\u0131n T\u00fcrk\u00e7e yazd\u0131\u011f\u0131 her iki t\u0131p eserinin de \u00ces\u00e2 Bey d\u00f6nemine ait oldu\u011fu varsay\u0131labilir. H\u00e2cc\u00ee Pa\u015fa’n\u0131n yukar\u0131da zikredilen Kit\u00e2b\u00fc’s-sa’\u00e2de’sinin iki terc\u00fcmesi veya uyarlamas\u0131 vard\u0131r. Bu derlemelerden biri olan Munta’ab a\u015f-\u015eif\u00e2\u02be hakk\u0131nda, zaman zaman onun Ayd\u0131nl\u0131 Muhammed Bey’e ithaf edildi\u011fi s\u00f6ylenmektedir.<\/span><\/p>\n

Ancak, kendi ad\u0131na, sadece 1381’de yaz\u0131lan \u015eifa’n\u0131n yeniden i\u015flenmesi olarak kabul edilen Kit\u00e2b-\u0131 sa’\u00e2de’nin a\u00e7\u0131k\u00e7a bir \u00e7evirisi oldu\u011fu i\u00e7in, bu at\u0131f do\u011fru olamaz.65 Ayn\u0131 kitab\u0131n k\u0131sa tedavi edici el kitab\u0131. \u00c7ok say\u0131da yayg\u0131n yazma eserde korunan m\u00fcellif olan Te\u015f\u00eel a\u015f-\u015fif\u00e2de66, ayn\u0131 Kit\u00e2b-\u0131 sa’\u00e2de’nin baz\u0131 nazar\u00ee ve zor pasajlar d\u0131\u015far\u0131da b\u0131rak\u0131larak, k\u0131smen de\u011fi\u015ftirilmi\u015f bir terc\u00fcmesi oldu\u011fu ortaya \u00e7\u0131kar.\u00a0<\/span><\/p>\n

Adnan Ad\u0131var, Arap\u00e7a asl\u0131 ile mukayese edilemeyecek kadar aceleci bir \u015fekilde terc\u00fcme edilmi\u015ftir ki, H\u00e2cc\u00ee Pa\u015fa’n\u0131n kendisi Arap\u00e7a’n\u0131n \u00f6nemini vurgulayan \u00f6z\u00fcr dileyici bir \u00f6ns\u00f6z yazmam\u0131\u015f olsayd\u0131, i\u015fin i\u00e7inde farkl\u0131 bir m\u00fctercimin oldu\u011fu d\u00fc\u015f\u00fcn\u00fcl\u00fcrd\u00fc. bilim i\u00e7in bir dil. Yine de 15. y\u00fczy\u0131l\u0131n ortalar\u0131nda Ta\u015f\u00eel, bir T\u00fcrk doktor olan Sabuncuo\u011flu \u015eerefeddin taraf\u0131ndan \u201ct\u0131bbi sanat\u0131n ba\u015flang\u0131c\u0131 ve kap\u0131s\u0131\u201d olarak \u00f6v\u00fclmekte ve \u00f6rnek al\u0131nmaktad\u0131r.<\/span><\/p>\n

\u0130lk Ayd\u0131n \u015fehzadeleri Muhammed ve Umur’un saray\u0131nda Rum T\u00fcrk\u00e7esine en az be\u015f eser terc\u00fcme edilmi\u015ftir ve bu terc\u00fcmeler bug\u00fcn 14. y\u00fczy\u0131lda bu dile ili\u015fkin de\u011ferli deliller sunmaktad\u0131r. Arap\u00e7a ve Fars\u00e7aya olan ilgisinden bahsetti\u011fimiz \u00ces\u00e2 Bey de T\u00fcrk\u00e7eye ba\u011fl\u0131yd\u0131.<\/span><\/p>\n

Bu dile, “Osmanl\u0131 \u00f6ncesi” T\u00fcrkler aras\u0131nda eskiden inan\u0131landan \u00e7ok daha y\u00fcksek bir edebi geli\u015fmi\u015flik d\u00fczeyinde a\u015fina olan \u0130sa Bey, saray \u015fairi Fareddin Yakub’u kendisi ve saray \u00e7evresi i\u00e7in uzun bir T\u00fcrk mesnevisine dayal\u0131 uzun bir T\u00fcrk mesnevisi bestelemekle g\u00f6revlendirdi. Ni\u1e93\u0101m\u012b’nin Pers romantizmi \u1e2ausrav u \u015e\u012br\u012bn \u00fczerine. Fa\u1e2br\u012b’nin eserinden tek bir el yazmas\u0131 g\u00fcn\u00fcm\u00fcze ula\u015fm\u0131\u015ft\u0131r. Buna \u015fimdi d\u00f6nece\u011fiz.<\/span><\/p>\n

Berlin El Yazmas\u0131<\/span><\/strong><\/h3>\n

Bilinen tek el yazmas\u0131 Hs. veya. quart 1069, Bat\u0131 Alman Devlet K\u00fct\u00fcphanesi Marburg’un, 1960 y\u0131l\u0131n\u0131n sonlar\u0131na do\u011fru alimin dul e\u015finden edindi\u011fi Profes\u00f6r Karl S\u00fcssheim’\u0131n el yazmas\u0131 koleksiyonuna aitti. El yazmas\u0131 ilk olarak Aral\u0131k 1961\/\u015eubat 1962’de T\u00fcrk\u00e7e yazmalar\u0131n kataloglanmas\u0131 yap\u0131l\u0131r.<\/span><\/p>\n

Devlet K\u00fct\u00fcphanesi Marburg’un varl\u0131klar\u0131 1970’lerin sonlar\u0131nda Bat\u0131 Berlin’e ta\u015f\u0131nd\u0131\u011f\u0131nda, el yazmas\u0131 Staatsbibliothek \u2013 Preussischer Kulturbesitz’in bir par\u00e7as\u0131 oldu. 1992’den beri Berlin’de yeniden birle\u015fmi\u015f Staatsbibliothek zu Berlin \u2013 Preussischer Kulturbesitz’de korunmaktad\u0131r.<\/span><\/p>\n

El yazmas\u0131, deri destekli mor kartonda geri tepildi. Filigrans\u0131z sar\u0131ms\u0131 s\u0131rl\u0131 ka\u011f\u0131t. El yazmas\u0131n\u0131n sonlar\u0131na do\u011fru alt sat\u0131rlarda metin kay\u0131plar\u0131na neden olan kitap kurtlar\u0131ndan kaynaklanan hasarlar vard\u0131r. El yazmas\u0131 yap\u0131\u015ft\u0131rmadan kaynaklanan \u00f6rt\u00fc\u015fme nedeniyle metin kayb\u0131yla ve rastgele s\u0131rayla geri tepme ile restore edildi. Restorasyon sonras\u0131 siyah m\u00fcrekkeple numaraland\u0131r\u0131lm\u0131\u015f 168 varak var ama 58 varak atlanm\u0131\u015f, 118 varaktan 111 ile ba\u015flayan bir numara daha vard\u0131r.<\/span><\/p>\n

Ka\u011f\u0131d\u0131n boyutu 250×165 mm, her sayfaya yaz\u0131 195×130 mm’dir. Sayfada 15 sat\u0131r var. Orijinal sloganlar eksik; ara s\u0131ra sloganlar yanl\u0131\u015fl\u0131kla eklendi. Metnin kenar bo\u015fluklar\u0131 alt\u0131n cetvelli ve ortada iki alt\u0131n \u00e7izgi, hemistikler aras\u0131ndaki ayr\u0131m\u0131 g\u00f6sterir. Sonunda mavi ve alt\u0131n dekoratif noktalar var.<\/span><\/p>\n

\n

Yazma<\/a> eser Nedir<\/span>
\nVoynich el yazmas\u0131<\/span>
\nEl yazmas\u0131 nedir<\/span>
\nYazma eser \u00f6rnekleri<\/span>
\nYazma Eserler Kurumu<\/span>
\nYazma Eserler<\/span>
\nEl-Fihrist Yazma Eserler<\/span>
\nyazma eserler e-sat\u0131\u015f<\/span><\/p>\n

\n

Daha kaba bir el ile yaz\u0131lm\u0131\u015f ve \u00e7o\u011fu zaman metinle uyu\u015fmayan ba\u015fl\u0131klar, d\u00f6n\u00fc\u015f\u00fcml\u00fc olarak alt\u0131n seslendirme ile mavi veya mavi seslendirme ile alt\u0131n ve k\u0131rm\u0131z\u0131 renktedir. 42 sayfada minyat\u00fcrler i\u00e7in bo\u015fluk b\u0131rak\u0131lm\u0131\u015f, hi\u00e7biri yap\u0131lmam\u0131\u015ft\u0131r. Bo\u015f alanlar, pratik kalem vuru\u015flar\u0131 ve karalamalarla k\u0131smen bozulur.<\/span><\/p>\n

El yazmas\u0131 tarihli de\u011fil. A\u00e7\u0131k, profesyonel bir nes\u1e2b\u012b ile siyah m\u00fcrekkeple, tam sesli olarak yaz\u0131lm\u0131\u015ft\u0131r ve 16. y\u00fczy\u0131l\u0131n ba\u015flar\u0131nda kopyalanm\u0131\u015f gibi g\u00f6r\u00fcnmektedir. \u0130smi ge\u00e7meyen katip, baz\u0131 yerlerde farkl\u0131 yaz\u0131m kurallar\u0131 aras\u0131nda bocal\u0131yor gibi g\u00f6r\u00fcn\u00fcyor. \u201cG\u00f6r\u00fcn\u00fc\u015fe g\u00f6re, s\u0131k yapt\u0131\u011f\u0131 hatalar\u0131n \u00fczerini \u00e7izerek eserinin g\u00f6r\u00fcn\u00fcm\u00fcn\u00fc bozmak istemiyormu\u015f ve onun \u00fcnl\u00fcleri de \u00e7o\u011fu zaman kaprisli de\u011fil. Ayr\u0131ca metindeki g\u00fc\u00e7l\u00fcklerin \u00e7o\u011funu yaln\u0131zca arkaizmler veya diyalektik \u00f6zellikler olarak g\u00f6rd\u00fc\u011f\u00fc ve bunlar\u0131 anlamak i\u00e7in daha fazla \u00e7aba g\u00f6stermedi\u011fi de varsay\u0131labilir.<\/span><\/p>\n

1974’te ms’nin ilk bask\u0131s\u0131n\u0131 yay\u0131nlad\u0131m. Hs. veya. D\u00f6rtte 1069, 4683 mesnev\u00ee ayetinin transkripsiyonu ve eseri kar\u015f\u0131la\u015ft\u0131rmal\u0131 bir bak\u0131\u015f a\u00e7\u0131s\u0131yla tart\u0131\u015fan bir giri\u015f ile \u201cbir dilcinin kaynak kitab\u0131ndan ziyade bir edebiyat eseri\u201d (Walsh) olarak fotokopide. Transkripsiyonum hatalarla g\u00f6lgelendi, el yazmas\u0131n\u0131n filolojik durumu becerebilece\u011fimden daha fazla d\u00fczeltme ve varsay\u0131m gerektiriyordu; en az\u0131ndan, daha fazla ara\u015ft\u0131rma i\u00e7in bir temel olarak foliolara d\u00fczen geri y\u00fcklendi.<\/span><\/p>\n

Farreddin Yakub b. Muhammed, Fa\u1e2br\u012b olarak bilinir.\u00a0<\/span>Yazar hakk\u0131nda a\u015fa\u011f\u0131daki bilgiler yaz\u0131dan al\u0131nm\u0131\u015ft\u0131r. Di\u011fer yaz\u0131larda hen\u00fcz ona at\u0131fta bulunulmam\u0131\u015ft\u0131r. Kendisinden defalarca ma\u1e2blas\u0131 Fa\u1e2br\u012b ile bahseden T\u00fcrk yazar, sonunda kendi ad\u0131n\u0131 zikreder ve men\u015fe \u00fclkesini ima eder.<\/span><\/p>\n

Fa\u1e2br\u012b, yeni fethedilen bu topraklar\u0131n, asl\u0131nda ancak 13. y\u00fczy\u0131l\u0131n sonunda T\u00fcrkle\u015fen Ayd\u0131n b\u00f6lgesinin ger\u00e7ek bir o\u011flu olmaya \u00f6zen g\u00f6sterir. 489. ayetteki \u2013 z\u012b T\u00fcrkmenlik- \u015fikayetleri, bir \u201cbeceriksizlik\u201d form\u00fcl\u00fc olmas\u0131n\u0131n yan\u0131 s\u0131ra, Fa\u1e2br\u012b’nin T\u00fcrkmen oldu\u011funun bir g\u00f6stergesi olarak da al\u0131nabilir. Fa\u1e2br\u012b’nin kendisi hakk\u0131nda \u015furada burada s\u00f6yledi\u011fi birka\u00e7 kelime ki\u015fisel niteliktedir ve \u00f6rne\u011fin \u00f6\u011frenim kariyeri ve mesle\u011fi hakk\u0131nda, d\u0131\u015f hayat\u0131 hakk\u0131nda herhangi bir sonuca var\u0131lmas\u0131na izin vermez.<\/span><\/p>\n

Onu \u00e7a\u011fda\u015flar\u0131yla ili\u015fkilendirmeye kalk\u0131\u015f\u0131rsak, Far\u00ee’nin \u00ces\u00e2 Bey’in bir saray mensubu – \u1e2b\u0101ss – olarak yukar\u0131da ad\u0131 ge\u00e7en hekim ve ilahiyat\u00e7\u0131 H\u00e2cc\u00ee Pa\u015fa ile temasa ge\u00e7ti\u011fini pek\u00e2l\u00e2 varsayabiliriz.<\/span><\/p>\n

Fa\u1e2br\u00ee ile Germiyan saray\u0131ndaki edebiyat\u00e7\u0131lar \u201c\u00e7emberi\u201d aras\u0131nda bir ba\u011flant\u0131 d\u00fc\u015f\u00fcn\u00fclebilir. \u00d6rne\u011fin, Hacc\u00ee Pa\u015fa’n\u0131n \u015fair Ahmed\u00ee’nin bir tan\u0131d\u0131\u011f\u0131, hatta bir arkada\u015f\u0131 oldu\u011funu d\u00fc\u015f\u00fcn\u00fcn (yukar\u0131ya bak\u0131n\u0131z); birlikte M\u0131s\u0131r’da bulunmu\u015flard\u0131.<\/span><\/p>\n

Geriye, Ahmed\u00ee’nin rakibi ni\u015fanc\u0131 ve Germiyan prensinin hazinedar\u0131 \u015eey\u1e2bo\u0121lu Mushaf\u00e2’n\u0131n (do\u011fum yakla\u015f\u0131k 1340), \u015eey\u1e2bo\u0121lu’nun \u00f6\u011fretmeni \u1e2aoca Mes’ud ile a\u015fa\u011f\u0131 yukar\u0131 ayn\u0131 ya\u015fta olan Fa\u1e2br\u012b’mizi tan\u0131y\u0131p tan\u0131mad\u0131\u011f\u0131 ileride incelenecektir. \u015eairlerin \u015fehzade-tezkire aynas\u0131 olan Kenz \u00fcl-k\u00fcber\u0101\u02be adl\u0131 eserinde \u015eey\u1e2bo\u011flu, hakk\u0131nda hi\u00e7bir \u015fey bilinmeyen bir \u201c\u1e2a\u0101\u1e63\u1e63\u201d da dahil olmak \u00fczere \u00e7a\u011fda\u015f \u015fairlerin \u015fiirlerini aktar\u0131r.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

T\u0131p Eserleri 1961 y\u0131l\u0131na kadar Fars\u00e7a ve Arap\u00e7a eserlerin sponsoru olan Fa\u1e2breddin \u012as\u0101 Beg’in ad\u0131yla ili\u015fkilendirilen hi\u00e7bir T\u00fcrk\u00e7e esere rastlanmam\u0131\u015ft\u0131r. Ancak H\u00e2cc\u00ee Pa\u015fa’n\u0131n T\u00fcrk\u00e7e yazd\u0131\u011f\u0131 her iki t\u0131p eserinin de \u00ces\u00e2 Bey d\u00f6nemine ait oldu\u011fu varsay\u0131labilir. H\u00e2cc\u00ee Pa\u015fa’n\u0131n yukar\u0131da zikredilen Kit\u00e2b\u00fc’s-sa’\u00e2de’sinin iki terc\u00fcmesi veya uyarlamas\u0131 vard\u0131r. Bu derlemelerden biri olan Munta’ab a\u015f-\u015eif\u00e2\u02be hakk\u0131nda, zaman zaman…
Devam\u0131<\/a><\/p>\n","protected":false},"author":6,"featured_media":8382,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[18613,18612,18611,18614],"tags":[18617,18621,18616,18615,18618,18620,18622,18619],"class_list":["post-8537","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-el-yazmasi-nedir","category-voynich-el-yazmasi","category-yazma-eser-nedir","category-yazma-eserler-kurumu","tag-el-yazmasi-nedir","tag-el-fihrist-yazma-eserler","tag-voynich-el-yazmasi","tag-yazma-eser-nedir","tag-yazma-eser-ornekleri","tag-yazma-eserler","tag-yazma-eserler-e-satis","tag-yazma-eserler-kurumu"],"aioseo_notices":[],"aioseo_head":"\n\t\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t