{"id":8541,"date":"2022-01-18T12:55:33","date_gmt":"2022-01-18T09:55:33","guid":{"rendered":"https:\/\/bestessayhomework.com\/tr\/?p=8541"},"modified":"2022-01-18T12:55:33","modified_gmt":"2022-01-18T09:55:33","slug":"eserlerin-yazilma-nedeni-edebiyat-alaninda-tez-yaptirma-edebiyat-tez-yaptirma-ucretleri-edebiyat-odevleri-edebiyat-odev-ucretleri","status":"publish","type":"post","link":"https:\/\/bestessayhomework.com\/tr\/eserlerin-yazilma-nedeni-edebiyat-alaninda-tez-yaptirma-edebiyat-tez-yaptirma-ucretleri-edebiyat-odevleri-edebiyat-odev-ucretleri\/","title":{"rendered":"Eserlerin Yaz\u0131lma Nedeni \u2013 Edebiyat Alan\u0131nda Tez Yapt\u0131rma \u2013 Edebiyat Tez Yapt\u0131rma \u00dccretleri \u2013 Edebiyat \u00d6devleri \u2013 Edebiyat \u00d6dev \u00dccretleri"},"content":{"rendered":"

Eserlerin Yaz\u0131lma Nedeni ve Tarihi<\/span><\/strong><\/h3>\n

Eseri besteleme d\u00fcrt\u00fcs\u00fc, Fa\u1e2br\u012b’ye Ni\u1e93\u0101m\u012b’nin Fars\u00e7a destan\u0131n\u0131 okutturan \u012as\u0101 Beg’den geldi.<\/span><\/p>\n

Fa\u1e2br\u012b b\u00f6yle bir g\u00f6reve giri\u015fme konusundaki isteksizli\u011fini protesto etti. Ancak \u201ckendisine verilen g\u00f6revin yetersizli\u011fine ili\u015fkin al\u00e7akg\u00f6n\u00fcll\u00fc itirazlar\u0131na\u201d85 ra\u011fmen, bir\u00e7ok \u00e7a\u011fda\u015f\u0131n\u0131n ve \u00f6zellikle 16. y\u00fczy\u0131l edebiyat\u00e7\u0131lar\u0131n\u0131n, kaba ve seyrek karakteri: Biz sadece S\u00fcheyl \u00fc Nevbah\u00e2r’\u0131n yazar\u0131 Mes’ud b. Ahmed, bu hususta yapar.<\/span><\/p>\n

Bu kural\u0131n bir istisnas\u0131, s\u00f6ylenmesi gereken, 15. ve 16. y\u00fczy\u0131llarda tamamen unutulmu\u015f \u00f6nemli bir \u015fair olan \u015eey\u1e2b Ahmed G\u00fcl\u015fehr\u00ee’dir. Fa\u1e2br\u012b T\u00fcrk dilince da\u1e2b\u0131 T\u0101z\u012bden la\u1e6d\u012bf’i yazarken88 de anadilini tam bir \u00f6zg\u00fcvenle kullanm\u0131\u015ft\u0131r.<\/span><\/p>\n

Kitab\u0131n tarihi<\/span><\/strong><\/p>\n

Fa\u1e2br\u00ee, eserinde tarihlerden iki noktada bahseder. \u00a0<\/span>Efendim, sizin saltanat\u0131n\u0131zda (devr) r\u0131 eksik de\u011fildir (devr r’sinden yoksun de\u011fildir), bu da r\u0101’y\u0131 elifsiz (1) verir ve b\u00f6ylece de\u011feri 199’a d\u00fc\u015fer; ne de sa\u1e6dr (269) i\u00e7in \u015f\u012bn (300) olmadan k\u0131s\u0131nt\u0131 olmaz.\u201d Bu 769 \u00fcretir.<\/span><\/p>\n

\u0130kinci olarak, Fa\u1e2br\u012b, son olarak \u00fc\u00e7 takvim kullanarak, y\u0131l\u0131 belirtmeden \u00e7al\u0131\u015fmas\u0131n\u0131 9 Receb\/12 Mart’ta bitirdi\u011fini belirtir.<\/span><\/p>\n

\u201cYeni Y\u0131l ba\u015flang\u0131c\u0131nda, Navr\u00fbzlu Farvard\u012bn, g\u00fcne\u015f d\u00fcnyay\u0131 ayd\u0131nlatt\u0131\u011f\u0131 zaman, Racab’\u0131n 9’u sabah\u0131, o gezegen, ey Kral, bayra\u011f\u0131n\u0131 kuzu (Ko\u00e7) burcuna dikti\u011finde bu kitap bitmi\u015fti. Allah’a hamdolsun, \u00e7\u00fcnk\u00fc (O) onu yar\u0131m b\u0131rakmad\u0131. 12 Mart (\u0100z\u00e2r) g\u00fcn\u00fc h\u00fck\u00fcmdar ad\u0131na namaz\u0131 tamamlad\u0131m.\u201d Bu, 9. Receb 768\/12 Mart 1367’yi verir.<\/span><\/p>\n

Bu nedenle, \u00fc\u00e7 farkl\u0131 takvime ait olan ay\u0131n bahsi ge\u00e7en g\u00fcnlerinin, Ayd\u0131nl\u0131 \u0130sa Bey’in h\u00fck\u00fcmdarl\u0131k d\u00f6nemi ile \u00f6rt\u00fc\u015ft\u00fc\u011f\u00fcnde bir ipucu olarak bir y\u0131l aranmal\u0131d\u0131r. Asl\u0131nda Cal\u0101l\u012b d\u00f6neminin Farvard\u012bn 289’unun J\u00fclyen takvimine g\u00f6re ilki 12 Mart 1367’ye denk geliyor ve bu da -bir g\u00fcn fark\u0131yla birlikte- Racab 768’in 9’una tekab\u00fcl ediyor.<\/span><\/p>\n

\u0130\u015fin Yap\u0131s\u0131<\/span><\/strong><\/p>\n

Fa\u1e2br\u012b, modeli Ni\u1e93\u0101m\u012b gibi, Tanr\u0131’y\u0131 \u200b\u200b\u00f6vmekle ba\u015flar. Hemen ba\u015f\u0131nda bo\u015fluklar var. 14’ten 25’e kadar olan birka\u00e7 ayet, 26’dan 49’a kadar uzanan ve ard\u0131ndan Muhammed’e \u00f6vg\u00fc yer al\u0131r.<\/span>\u00a0\u015eehzade ve ailesine \u00f6vg\u00fc 213’ten 277’ye kadar uzan\u0131r ve 213’ten 235’e kadar olan ayetler -in kafiyeli bir kaside \u015feklinde yaz\u0131lm\u0131\u015ft\u0131r. Husrev k\u0131ssas\u0131 278. ayetle ba\u015flar.<\/span><\/p>\n

Fa\u1e2br\u012b’nin anlat\u0131m\u0131, genel olarak Ni\u1e93\u0101m\u012b’deki olay \u00f6rg\u00fcs\u00fcn\u00fc takip eder ve olay \u00f6rg\u00fcs\u00fcnden yeni bir giri\u015fle yola \u00e7\u0131kan ve yine \u012as\u0101’ya k\u0131sa bir ithaf i\u00e7eren t\u00fcm Ferh\u0101d hikayesini i\u00e7erir. Ferhad hikayesi, Fa\u1e2br\u012b’nin orijinal eklemelerini i\u00e7erir.<\/span><\/p>\n

Fa\u1e2br\u012b ve onun prens hamisi, g\u00f6r\u00fcn\u00fc\u015fe g\u00f6re, Ni\u1e93\u0101m\u012b’nin plan\u0131n\u0131n \u00e7\u0131kar\u0131na, Behr\u0101m \u00c7\u016bb\u012bn’in isyan\u0131na, H\u00fcrm\u00fcz’\u00fcn d\u00fc\u015f\u00fc\u015f\u00fcne ve \u00f6ld\u00fcr\u00fclmesine ve \u1e2ausrev’in Rum’a ka\u00e7\u0131\u015f\u0131na ve Behr\u0101m’la son \u00e7at\u0131\u015fmas\u0131na yaln\u0131zca marjinal bir \u015fekilde de\u011finmesini bir dereceye kadar bir eksiklik olarak g\u00f6r\u00fcyorlard\u0131. Bu arka plan\u0131 doldurmak i\u00e7in \u015e\u0101hn\u0101me’nin bu konular\u0131 ele alan ve Ni\u1e93\u0101m\u012b’nin kaynak olarak kulland\u0131\u011f\u0131 k\u0131sm\u0131ndan yararlan\u0131lm\u0131\u015ft\u0131r.<\/span><\/p>\n

Buna g\u00f6re Fa\u1e2br\u012b, \u015e\u0101hn\u0101me’den Behr\u0101m roman\u0131n\u0131n neredeyse tamam\u0131n\u0131 uygun yerlere yerle\u015ftirir ve sonunda \u1e2ausrev Parv\u012bz’in \u00f6l\u00fcm\u00fcn\u00fc anlat\u0131rken tekrar Firdevs\u012b’ye d\u00f6ner ve Ni\u1e93\u0101m\u012b’yi takip ederek Peygamber’in mektubuyla son bulur. Muhammed’den Perv\u012bz’e. Kitap, yukar\u0131da al\u0131nt\u0131lad\u0131\u011f\u0131m\u0131z 4648-4683, 36 beyitlik bir sonu\u00e7 b\u00f6l\u00fcm\u00fcyle sona ermektedir.<\/span>\u00a0B\u00f6ylece Fa\u1e2br\u012b’nin serbest terc\u00fcmesi, Ni\u1e93\u0101m\u012b’nin Firdevs\u012b’nin \u015e\u0101hn\u0101me’sinden uzun pasajlar\u0131n sunuldu\u011fu \u1e2ausrav u \u015e\u012br\u012bn’inin bir uyarlamas\u0131 olarak kar\u015f\u0131m\u0131za \u00e7\u0131kmaktad\u0131r.<\/span><\/p>\n

\n

Eser<\/a> Nedir<\/span>
\nYazma eserlerin \u00f6zellikleri<\/span>
\nEser \u00f6rnekleri<\/span>
\nMimari eserler<\/span>
\nEser T\u00fcrleri<\/span>
\nEl yazmas\u0131 Eserler<\/span>
\nEdebi eser T\u00fcrleri<\/span>
\nYazma eser Nedir<\/span><\/p>\n

\n

\u00d6l\u00e7\u00fc, Ni\u1e93\u0101m\u012b’nin destan\u0131d\u0131r, yani mef\u0101\u02bf\u012bl\u00fcn mef\u0101\u02bf\u012bl\u00fcn fe\u2032\u016bl\u00fcn: hezec, burada \u015e\u0101hn\u0101me’den (orijinal olarak m\u00fctek\u0101rib olarak yaz\u0131lm\u0131\u015ft\u0131r) se\u00e7ilen ayetler de yeniden d\u00fczenlenmi\u015ftir. Eserin b\u00fct\u00fcnl\u00fc\u011f\u00fc a\u00e7\u0131s\u0131ndan bak\u0131ld\u0131\u011f\u0131nda, Fa\u1e2br\u00ee’nin, Ni\u1e93\u0101m\u012b’nin romans\u0131na hi\u00e7 \u015f\u00fcphesiz kas\u0131tl\u0131 olarak dahil etmedi\u011fi Behr\u0101m hikayesini ilave olarak \u00e7al\u0131\u015fmay\u0131 \u00fcstlendi\u011fine \u00fcz\u00fclebiliriz.<\/span><\/p>\n

A\u015f\u0131r\u0131 uzun enterpolasyonlar, \u00f6zellikle diyalog ve mektuplardaki baz\u0131 de\u011fi\u015f toku\u015flar, altta yatan \u015fiirsel \u00e7al\u0131\u015fman\u0131n i\u00e7 dengesini tehdit eder ve bir dizi Sasani kahraman\u0131 aniden sahneye \u00e7\u0131kar\u0131l\u0131r ve ard\u0131ndan f\u0131rlat\u0131l\u0131r. Ancak s\u00f6z konusu n\u00fcshan\u0131n eksik oldu\u011fu unutulmamal\u0131d\u0131r; bu nedenle Ni\u1e93\u0101m\u012b ve Firdevs\u012b metinleri aras\u0131ndaki baz\u0131 \u201cba\u011flay\u0131c\u0131 pasajlar\u201d kaybolmu\u015f olabilir.<\/span><\/p>\n

Her hal\u00fckarda, model olarak al\u0131nan iki eser, birbirine ancak kusurlu bir \u015fekilde uyarlanm\u0131\u015ft\u0131r; Husrev’in arkada\u015f\u0131 olan ressam\u0131n Ni\u1e93\u0101m\u012b b\u00f6l\u00fcm\u00fcnde \u015eavur, Firdevs\u012b b\u00f6l\u00fcm\u00fcnden ise \u015eapur olarak an\u0131lmas\u0131 bunun d\u0131\u015fsal bir g\u00f6stergesidir.<\/span>
\nToplamda mesnev\u00ee, Hs n\u00fcshas\u0131nda g\u00f6r\u00fcld\u00fc\u011f\u00fc gibi. veya. quart 1069, 4683 beyitten olu\u015fmaktad\u0131r. Bunlardan yakla\u015f\u0131k 3060 beyti Ni\u1e93\u0101m\u012b ve Fa\u1e2br\u012b’nin kendisine tahsis edilecek ve yakla\u015f\u0131k 1620’si \u015e\u0101hn\u0101me’den uyarlanm\u0131\u015ft\u0131r. Tamamland\u0131\u011f\u0131nda orijinal haliyle eser birka\u00e7 y\u00fcz beyit daha i\u00e7eriyordu – ki bunu, 168b yapra\u011f\u0131n\u0131n yukar\u0131da an\u0131lan ayetlerine dayanarak varsayabiliriz.<\/span><\/p>\n

Mevcut bo\u015fluklar iki \u00e7e\u015fittir; bir yanda, pek \u00e7ok yapra\u011f\u0131n d\u00fczensiz ciltlendi\u011fi ve olduk\u00e7a beceriksiz restorasyon giri\u015fimleri s\u0131ras\u0131nda kaybolmalar\u0131ndan korkulacak t\u00fcm folyolar kay\u0131pt\u0131r. \u00d6te yandan, metinde anlat\u0131n\u0131n birdenbire biraz \u00f6ne atlad\u0131\u011f\u0131 bo\u015fluklar var. Bu t\u00fcr k\u0131saltmalar, her hal\u00fckarda, metnin tutarl\u0131l\u0131\u011f\u0131 pahas\u0131na meydana geldiklerinde, bu uzun mesnevinin \u00e7al\u0131\u015fmas\u0131n\u0131 zaman zaman kendisi i\u00e7in kolayla\u015ft\u0131rm\u0131\u015f g\u00f6r\u00fcnen katipe su\u00e7lanmal\u0131d\u0131r.<\/span><\/p>\n

Ayd\u0131n’\u0131n \u00ces\u00e2 Bey’e ve Evine Adanmas\u0131<\/span><\/strong><\/p>\n

Fa\u1e2br\u012b, eserinin birka\u00e7 pasaj\u0131nda \u200b\u200bhamisi Ayd\u0131no\u011flu ‘\u0130sa Bey’i y\u00fcceltir. \u015eiirinin ba\u015f\u0131nda \u00ces\u00e2 Bey’in babas\u0131n\u0131 ve erkek karde\u015flerini methediyor. \u00ces\u00e2 Bey bilindi\u011fi gibi, en \u00f6nemli Ayd\u0131no\u011flu’nun, daha \u00f6nce bahsi ge\u00e7en \u201c\u0130man cenk\u00e7ilerinin sultan\u0131\u201d M\u00fcbarizeddin Muhammed Bey’in en k\u00fc\u00e7\u00fck o\u011fludur.<\/span><\/p>\n

\u201cAlanos\u201d, \u0130mparator II. Andronikos Paleologos’un Bat\u0131 Anadolu’nun bir k\u0131sm\u0131n\u0131 geri almak i\u00e7in 1300’de giri\u015fti\u011fi Alans ve Wallachs’tan olu\u015fan yard\u0131mc\u0131 birlikleri ifade eder; 1302’de m\u00fc\u015fterek imparator IX. Mihail, e\u015fleri ve \u00e7ocuklar\u0131 ile birlikte on bin erkekten olu\u015fan bu insanlara, Bizans k\u0131rsal\u0131n\u0131n yenilgisi ve ya\u011fmalanmas\u0131yla sonu\u00e7lanan bir sefere \u00f6nderlik etti.<\/span><\/p>\n

Y\u00fcz y\u0131l sonra Enver\u00ee, Umur Bey hakk\u0131nda yazd\u0131\u011f\u0131nda, Muhammed Bey’i daha az ayetle de olsa benzer \u015fekilde anlat\u0131r.<\/span><\/p>\n

“Her \u015feye g\u00fcc\u00fc yeten Tanr\u0131 ona, hepsi tahta \u00e7\u0131kmaya lay\u0131k be\u015f g\u00fczel o\u011ful bah\u015fedene kadar, Kral Tanr\u0131’ya bir o\u011ful i\u00e7in adak ve fedakarl\u0131k diledi.” Asl\u0131nda gelenek gere\u011fi Ayd\u0131n hanedan\u0131n\u0131n b\u00fct\u00fcn karde\u015fleri h\u00fck\u00fcmette yer ald\u0131. Muhammed’in o\u011fullar\u0131ndan \u00fc\u00e7\u00fc arka arkaya emirli\u011fi, yani ilk olarak Umur’u y\u00f6netti; 1348’de \u00f6ld\u00fcr\u00fcld\u00fc\u011f\u00fcnde, en b\u00fcy\u00fckleri olan \u1e2ai\u017cr, ba\u015flang\u0131\u00e7ta Umur’dan yana tav\u0131r koyanlar\u0131 izledi. \u0130kisinin de erkek \u00e7ocu\u011fu olmad\u0131. Di\u011fer iki karde\u015f erken \u00f6ld\u00fc, \u0130brahim Bah\u0101dur 1348’de ve S\u00fcleyman bir y\u0131l sonra. Sonra 1360 civar\u0131nda, en k\u00fc\u00e7\u00fck karde\u015f olan \u00ces\u00e2 iktidara geldi. Timur taraf\u0131ndan ger\u00e7ekle\u015ftirilen onar\u0131mdan sonra, \u00ces\u00e2 Bey’in iki o\u011flu M\u00fbs\u00e2 ve II. , yani onlar\u0131n kuzenleri. Fa\u1e2br\u00ee, \u00ces\u00e2 Bey’in kendi zaman\u0131nda \u00f6lm\u00fc\u015f olan d\u00f6rt erkek karde\u015finin her birine iki beyit ay\u0131rm\u0131\u015ft\u0131r.<\/em><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

Eserlerin Yaz\u0131lma Nedeni ve Tarihi Eseri besteleme d\u00fcrt\u00fcs\u00fc, Fa\u1e2br\u012b’ye Ni\u1e93\u0101m\u012b’nin Fars\u00e7a destan\u0131n\u0131 okutturan \u012as\u0101 Beg’den geldi. Fa\u1e2br\u012b b\u00f6yle bir g\u00f6reve giri\u015fme konusundaki isteksizli\u011fini protesto etti. Ancak \u201ckendisine verilen g\u00f6revin yetersizli\u011fine ili\u015fkin al\u00e7akg\u00f6n\u00fcll\u00fc itirazlar\u0131na\u201d85 ra\u011fmen, bir\u00e7ok \u00e7a\u011fda\u015f\u0131n\u0131n ve \u00f6zellikle 16. y\u00fczy\u0131l edebiyat\u00e7\u0131lar\u0131n\u0131n, kaba ve seyrek karakteri: Biz sadece S\u00fcheyl \u00fc Nevbah\u00e2r’\u0131n yazar\u0131 Mes’ud b. Ahmed, bu…
Devam\u0131<\/a><\/p>\n","protected":false},"author":6,"featured_media":8362,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[18624,18625,18623],"tags":[18575,18631,18626,18628,18630,18629,18615,18627],"class_list":["post-8541","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-el-yazmasi-eserler","category-eser-ornekleri","category-yazma-eser-nedir-2","tag-edebi-eser-turleri","tag-el-yazmasi-eserler","tag-eser-nedir","tag-eser-ornekleri","tag-eser-turleri","tag-mimari-eserler","tag-yazma-eser-nedir","tag-yazma-eserlerin-ozellikleri"],"aioseo_notices":[],"aioseo_head":"\n\t\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t