{"id":8668,"date":"2022-01-31T12:34:48","date_gmt":"2022-01-31T09:34:48","guid":{"rendered":"https:\/\/bestessayhomework.com\/tr\/?p=8668"},"modified":"2022-01-31T12:34:48","modified_gmt":"2022-01-31T09:34:48","slug":"basili-kitaplar-edebiyat-alaninda-tez-yaptirma-edebiyat-tez-yaptirma-ucretleri-edebiyat-odevleri-edebiyat-odev-ucretleri","status":"publish","type":"post","link":"https:\/\/bestessayhomework.com\/tr\/basili-kitaplar-edebiyat-alaninda-tez-yaptirma-edebiyat-tez-yaptirma-ucretleri-edebiyat-odevleri-edebiyat-odev-ucretleri\/","title":{"rendered":"Bas\u0131l\u0131 Kitaplar \u2013 Edebiyat Alan\u0131nda Tez Yapt\u0131rma \u2013 Edebiyat Tez Yapt\u0131rma \u00dccretleri \u2013 Edebiyat \u00d6devleri \u2013 Edebiyat \u00d6dev \u00dccretleri"},"content":{"rendered":"

Bas\u0131l\u0131 Kitaplar <\/span><\/strong><\/h3>\n

1928’de yeni alfabenin kullan\u0131lmaya ba\u015flanmas\u0131n\u0131n e\u015fi\u011finde, bas\u0131l\u0131 kitaplar\u0131n say\u0131s\u0131 \u00f6nemli \u00f6l\u00e7\u00fcde artt\u0131; eski senaryodaki eserlerin olas\u0131 sat\u0131\u015flar\u0131nda daha y\u00fcksek umutlarla, yay\u0131nc\u0131lar mevcut her \u015feyi piyasaya s\u00fcrd\u00fc. 31 Aral\u0131k 1928’de bu olas\u0131l\u0131k ortadan kalkt\u0131\u011f\u0131nda, yeni \u00fcretim y\u00f6ntemlerine uyum, yeni yay\u0131nlar\u0131n say\u0131s\u0131nda ciddi bir d\u00fc\u015f\u00fc\u015fe yol a\u00e7mak zorunda kald\u0131.<\/span><\/p>\n

1929 y\u0131l\u0131n\u0131n ilk yar\u0131s\u0131nda durum kriz boyutlar\u0131na ula\u015ft\u0131. Yay\u0131nc\u0131lar\u0131n kendi masraflar\u0131n\u0131 kar\u015f\u0131layamamas\u0131 ve kitap ticaretinde daha az kitap \u00fcretiminin k\u0131tl\u0131\u011fa yol a\u00e7mas\u0131 nedeniyle yazarlar kitaplar\u0131n\u0131n kendilerinin yay\u0131mlanmas\u0131n\u0131 \u00fcstlenirken, bir yandan da kitap sat\u0131n alamayan halk\u0131n isteksizli\u011finden \u015fikayetler geliyordu.<\/span><\/p>\n

K\u0131sacas\u0131 T\u00fcrkiye’nin kurmaca yazarlar\u0131, Buhran’\u0131n ba\u015flar\u0131na a\u011f\u0131r geldi\u011fi bir d\u00f6nemde yay\u0131m yapman\u0131n yollar\u0131n\u0131 bulmak ve yeni bask\u0131 tekni\u011fiyle, imlayla, dil reformu g\u00fcnlerinde ise s\u00f6zc\u00fck se\u00e7imleriyle uzla\u015fmak zorunda kald\u0131lar.<\/span><\/p>\n

Aralar\u0131ndaki yerle\u015fik nesir yazarlar\u0131, ba\u015fta belirtti\u011fimiz gibi, Osmanl\u0131 ge\u00e7mi\u015finden geldiler ve \u201cYeni Edebiyat\u201d\u0131n L’art pour l’art’\u0131, Edebiyat-i Cedide (1896-1901), Edebiyat-\u0131 Cedide (1896-1901), ve \u201cGelece\u011fin \u015eafa\u011f\u0131\u201d, Fecr-i \u00c2ti; Osmanl\u0131 Tanzimat geleneklerinin son arka korumas\u0131n\u0131 olu\u015fturuyorlard\u0131.<\/span><\/p>\n

II. Abd\u00fclhamid d\u00f6nemi, yazarlar\u0131n hareket \u00f6zg\u00fcrl\u00fc\u011f\u00fc olmad\u0131\u011f\u0131 i\u00e7in dar bir \u015fekilde \u0130stanbul belediye s\u0131n\u0131rlar\u0131 i\u00e7inde kalan konu bak\u0131m\u0131ndan b\u00fcy\u00fcklerin eserlerini \u015fekillendirmi\u015ftir. Gen\u00e7 Yakup Kadri, Bat\u0131 Anadolu yurdundan ald\u0131\u011f\u0131 deneklerle bir ilke imza att\u0131.<\/span><\/p>\n

J\u00f6n T\u00fcrk Devrimi’ni ve ard\u0131ndan yazarlar\u0131n \u00e7al\u0131\u015fmalar\u0131na getirilen s\u0131n\u0131rlamalar\u0131 deneyimleyen bu yazarlardan edebiyatta d\u00f6n\u00fc\u015ft\u00fcr\u00fcc\u00fc bir alt\u00fcst olu\u015f beklenemezdi. Bunun yerine Fecr-i \u00c2ti ak\u0131m\u0131n\u0131n akt\u0131\u011f\u0131 bir \u201cmilli edebiyat\u201d, yani Mill\u00ee Edebiyat yaratma \u00e7abalar\u0131n\u0131 s\u00fcrd\u00fcrd\u00fcler. 1928-1929 yap\u0131mlar\u0131nda, muhtemelen en d\u0131\u015ftaki sa\u00e7aklar d\u0131\u015f\u0131nda, T\u00fcrk edebiyat\u0131n\u0131n hi\u00e7bir b\u00fcy\u00fck ismi yer alm\u0131yor.<\/span><\/p>\n

Cumhuriyet \u00f6ncesi d\u00f6nemin en \u00fcretken roman yazar\u0131 olan Servet-i F\u00fcnun yazar\u0131 Halit Ziya, emeklili\u011fini Ye\u015filk\u00f6y’deki k\u0131r evinde ya\u015far; H\u00fcseyin Cahit, Anadolu’daki s\u00fcrg\u00fcnden yeni d\u00f6nm\u00fc\u015ft\u00fc; Cevat \u015eakir Kabaa\u011fa\u00e7l\u0131 (1886-1973), s\u00fcrg\u00fcn yeri olan Bodrum’u daimi ikametgah\u0131 haline getirmi\u015f ve bunu Halikarnas Bal\u0131k\u00e7\u0131s\u0131 mahlas\u0131yla vurgulam\u0131\u015ft\u0131r. Masal anlatma ustas\u0131 Memduh \u015eevket, Tahran’da b\u00fcy\u00fckel\u00e7i olarak onurlu s\u00fcrg\u00fcnler ya\u015fad\u0131.<\/span><\/p>\n

Memleket hikayeleri’nin anlat\u0131c\u0131s\u0131 Refik Halit, ortaya \u00e7\u0131kmakta olan Cumhuriyet’e kar\u015f\u0131 oldu\u011fu i\u00e7in 1922’de yurt d\u0131\u015f\u0131na s\u00fcr\u00fcld\u00fc; on be\u015f y\u0131l Suriye ve L\u00fcbnan’da ya\u015fad\u0131. Bu yazarlar uzaktan herhangi bir etkide bulunamad\u0131lar.<\/span><\/p>\n

\n

e-kitap ne demek<\/span>
\nBas\u0131l\u0131<\/a> Kitap<\/span>
\nE-kitap ve bas\u0131l\u0131 kitap aras\u0131ndaki farklar<\/span>
\nBas\u0131l\u0131 kitap okuyucusu yum \u00c7\u00fcnk\u00fc<\/span>
\ne-kitap yararlar\u0131 ve zararlar\u0131<\/span>
\ne-kitap avantaj ve dezavantajlar\u0131<\/span>
\ne-kitap okuman\u0131n faydalar\u0131<\/span>
\nE-kitap hakk\u0131nda her\u015fey<\/span><\/p>\n

\n

Sadece 1924’ten beri siyasi nedenlerle yurt d\u0131\u015f\u0131nda ya\u015fayan Halide Edip, kitaplar\u0131nda T\u00fcrk tarihini yurt d\u0131\u015f\u0131nda bile g\u00f6rd\u00fc\u011f\u00fc i\u00e7in d\u00fcnya \u00e7ap\u0131nda \u00fcne kavu\u015fmu\u015ftur. T\u00fcrkiye ile ba\u011flant\u0131s\u0131 tamamen kopmad\u0131; 1928’de latin yaz\u0131s\u0131na kar\u015f\u0131 oldu\u011fu i\u00e7in, Zeyno’nun O\u011flu adl\u0131 roman\u0131, 1926 ve 1927’de k\u0131smen tefrika halinde bas\u0131ld\u0131ktan sonra, yine eski yaz\u0131yla kitap olarak yay\u0131mlanabildi.<\/span><\/p>\n

Bu roman\u0131n arka plan\u0131n\u0131 K\u00fcrtlerin 1925’teki isyan\u0131 olu\u015fturuyor; yazar, \u00f6zellikle Do\u011fu Anadolu garnizon kenti Diyarbak\u0131r’\u0131 modernle\u015ftirmek isteyen y\u00fczeysel \u0130stanbul \u201calafranga\u201d toplumu ile T\u00fcrk kahramanlar\u0131n\u0131n milli \u00f6zg\u00fcvenini kar\u015f\u0131la\u015ft\u0131r\u0131yor.<\/span><\/p>\n

Halide Edip’in \u0130ngilizce olarak kaleme ald\u0131\u011f\u0131 an\u0131lar\u0131n\u0131n ikinci cildinin 1928 yaz\u0131nda T\u00fcrk bas\u0131n\u0131nda ortaya \u00e7\u0131kmas\u0131n\u0131n olumsuz tan\u0131t\u0131m\u0131na ra\u011fmen, vatansever kitap iyi kar\u015f\u0131land\u0131.62 \u0130nsanlar, yazara T\u00fcrk Destan\u0131 i\u00e7in minnettar kald\u0131lar. Ate\u015ften G\u00f6mlek ve bu, daha Ekim 1928’de Vakit gazetesinin yeni alfabeyle b\u00f6l\u00fcmlerini bast\u0131\u011f\u0131 ilk Latin harfli eserlerden biri oldu.<\/span><\/p>\n

Yakup Kadri ve Re\u015fat Nuri, \u00fclke i\u00e7inde milli bir roman \u00fcretme \u00e7abalar\u0131nda en b\u00fcy\u00fck ba\u015far\u0131y\u0131 elde ettiler. Yaz\u0131 reformunun hizmetinde gazetelerde \u015fevkle yazan Yakup Kadri, tarihi d\u00f6ng\u00fcs\u00fcn\u00fcn bir par\u00e7as\u0131 olarak, \u0130stanbul’un bozguncu \u00e7evresini betimledi\u011fi Sodom ve Gomore adl\u0131 tarihi d\u00f6ng\u00fcs\u00fcn\u00fcn bir par\u00e7as\u0131 olarak h\u00e2l\u00e2 eski yaz\u0131ya yer vermi\u015ftir.\u00a0<\/span><\/p>\n

T\u00fcrk ele\u015ftirmenlerini en \u00e7ok etkileyen \u015fey, Arap\u00e7a, Fars\u00e7a ve hatta Frans\u0131zca’dan yabanc\u0131 kelimelerin y\u0131\u011f\u0131lmas\u0131 ve Me\u015frutiyet d\u00f6neminden kalma bir \u201cNeo-Helenizm\u201d kal\u0131nt\u0131s\u0131yd\u0131. 1928 y\u0131l\u0131n\u0131n her \u015feye hakim konusu, Re\u015fat Nuri’nin 1928’de eski yaz\u0131s\u0131yla yay\u0131mlad\u0131\u011f\u0131 Ye\u015fil Gece roman\u0131nda oldu\u011fu gibi bu kitapta da pek az anlat\u0131m bulmu\u015ftur. 1928’de d\u00f6rd\u00fcnc\u00fc bask\u0131s\u0131n\u0131 yapan ve ayn\u0131 y\u0131l \u00fc\u00e7 ba\u015fl\u0131k daha yay\u0131mlayan \u00c7al\u0131ku\u015fu roman\u0131:<\/span><\/p>\n

Leyla ile Mecnun ve S\u00f6nm\u00fc\u015f Y\u0131ld\u0131zlar (\u00f6yk\u00fc; eski yaz\u0131yla 2. bask\u0131) ve Ac\u0131mak roman\u0131. Bu s\u0131ralarda Emile Zola’n\u0131n V\u00e9rit\u00e9 adl\u0131 roman\u0131n\u0131 \u00e7eviren Re\u015fat Nuri, T\u00fcrk e\u011fitim sisteminin laikle\u015fmesini \u0130slami m\u00fcstehcenli\u011fin \u201cYe\u015fil Gecesi\u201dnden kurtulmak i\u00e7in bir \u00e7a\u011fr\u0131 ba\u015flatmak i\u00e7in bir f\u0131rsat olarak g\u00f6r\u00fcyor.<\/span><\/em><\/p>\n

V\u00e9rit\u00e9 Zola’da Dreyfus olay\u0131n\u0131 Frans\u0131z okul sistemine aktar\u0131rken, Re\u015fat Nuri bir t\u00fcrbede i\u015flenen kundaklamada masum bir \u00f6\u011fretmenin su\u00e7lan\u0131p tutukland\u0131\u011f\u0131 Dreyfus davas\u0131 g\u00f6r\u00fcr. \u0130zmir’in Yunanl\u0131lardan kurtar\u0131lmas\u0131n\u0131n ard\u0131ndan art\u0131k \u201cKemalist\u201d olan m\u00fcstehcenler, hapishaneden d\u00f6nen kahraman\u0131 ihbar eder.<\/span><\/p>\n

1928 y\u0131l\u0131 d\u00fczyaz\u0131 edebiyat\u0131, Aka G\u00fcnd\u00fcz’\u00fcn en az d\u00f6rt ba\u015fl\u0131\u011f\u0131n\u0131 i\u00e7erir: Odun Kokusu, Tank-Tango ve Hayatdan Hikayetler ve Bir \u015eof\u00fcr\u00fcn Gizli Defteri \u00f6yk\u00fcleri, tamam\u0131 a\u00e7\u0131k\u00e7a eski senaryoda. Burhan Cahit, Hizmet\u00e7i Buhran\u0131, Bizans Ak\u015famlar\u0131 ve \u00e7ok okunan Harp D\u00f6n\u00fc\u015f\u00fc olmak \u00fczere \u00fc\u00e7 ba\u015fl\u0131kla temsil edildi. Erc\u00fcment Ekrem, Gemi Arslan\u0131 roman\u0131 ve G\u00fcn Do\u011fmay\u0131nca ba\u015fl\u0131\u011f\u0131yla bir cilt \u00f6yk\u00fc yay\u0131mlad\u0131.<\/span><\/p>\n

Mahmut Yesari’nin Ak Sa\u00e7l\u0131 Gen\u00e7 K\u0131z’\u0131 \u00e7\u0131kt\u0131 ve H\u0131n\u00e7’\u0131 Milliyet gazetesinde de tefrika olarak \u00e7\u0131kt\u0131. Servet-i F\u00fcnun’un ilk yazarlar\u0131ndan Mehmet Rauf (1875-1931), 1928’de Kan Damlas\u0131 roman\u0131n\u0131 eski yaz\u0131yla, bir y\u0131l sonra da Latin alfabesiyle “d\u00fcnyan\u0131n ilk b\u00fcy\u00fck roman\u0131” olarak nitelendirilen Halas roman\u0131n\u0131 yay\u0131mlad\u0131.\u00a0<\/span><\/p>\n

\u00d6yk\u00fc yazar\u0131 ve \u015fair \u015e\u00fck\u00fbfe Nihal, Renksiz Ist\u0131rab adl\u0131 bir roman ve Tevekk\u00fcl\u00fcn Cezas\u0131 adl\u0131 bir \u00f6yk\u00fc kitab\u0131 yay\u0131mlad\u0131. Edebiyat-\u0131 Cedide mensubu olmayan \u00e7ok be\u011fenilen romanc\u0131 H\u00fcseyin Rahmi, pop\u00fcler romanlar\u0131 Kokotlar Mektebi ve Muhabbet T\u0131ls\u0131m\u0131’n\u0131 1928’de -d\u00f6n\u00fc\u015fen \u0130stanbul toplumunu anlatmak i\u00e7in- eski yaz\u0131yla devam ettirdi. H\u00fcseyin Rahmi’nin romanlar\u0131n\u0131n, ciddi bir ahlaki kriz halindeki T\u00fcrk \u015fehir toplumunun bir panoramas\u0131n\u0131 sundu\u011fu da s\u00f6ylenir.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

Bas\u0131l\u0131 Kitaplar 1928’de yeni alfabenin kullan\u0131lmaya ba\u015flanmas\u0131n\u0131n e\u015fi\u011finde, bas\u0131l\u0131 kitaplar\u0131n say\u0131s\u0131 \u00f6nemli \u00f6l\u00e7\u00fcde artt\u0131; eski senaryodaki eserlerin olas\u0131 sat\u0131\u015flar\u0131nda daha y\u00fcksek umutlarla, yay\u0131nc\u0131lar mevcut her \u015feyi piyasaya s\u00fcrd\u00fc. 31 Aral\u0131k 1928’de bu olas\u0131l\u0131k ortadan kalkt\u0131\u011f\u0131nda, yeni \u00fcretim y\u00f6ntemlerine uyum, yeni yay\u0131nlar\u0131n say\u0131s\u0131nda ciddi bir d\u00fc\u015f\u00fc\u015fe yol a\u00e7mak zorunda kald\u0131. 1929 y\u0131l\u0131n\u0131n ilk yar\u0131s\u0131nda durum kriz…
Devam\u0131<\/a><\/p>\n","protected":false},"author":6,"featured_media":8367,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[18925,18926,18927],"tags":[18929,18931,18933,18935,18928,18934,18930,18932],"class_list":["post-8668","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-basili-kitap","category-basili-kitap-okuyucusu-yum-cunku","category-e-kitap-yararlari-ve-zararlari","tag-basili-kitap","tag-basili-kitap-okuyucusu-yum-cunku","tag-e-kitap-avantaj-ve-dezavantajlari","tag-e-kitap-hakkinda-hersey","tag-e-kitap-ne-demek","tag-e-kitap-okumanin-faydalari","tag-e-kitap-ve-basili-kitap-arasindaki-farklar","tag-e-kitap-yararlari-ve-zararlari"],"aioseo_notices":[],"aioseo_head":"\n\t\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t