{"id":9096,"date":"2022-02-26T11:23:04","date_gmt":"2022-02-26T08:23:04","guid":{"rendered":"https:\/\/bestessayhomework.com\/tr\/?p=9096"},"modified":"2022-02-26T11:23:04","modified_gmt":"2022-02-26T08:23:04","slug":"ana-akim-edebiyat-alaninda-tez-yaptirma-edebiyat-tez-yaptirma-ucretleri-edebiyat-odevleri-edebiyat-odev-ucretleri","status":"publish","type":"post","link":"https:\/\/bestessayhomework.com\/tr\/ana-akim-edebiyat-alaninda-tez-yaptirma-edebiyat-tez-yaptirma-ucretleri-edebiyat-odevleri-edebiyat-odev-ucretleri\/","title":{"rendered":"Ana Ak\u0131m \u2013 Edebiyat Alan\u0131nda Tez Yapt\u0131rma \u2013 Edebiyat Tez Yapt\u0131rma \u00dccretleri \u2013 Edebiyat \u00d6devleri \u2013 Edebiyat \u00d6dev \u00dccretleri"},"content":{"rendered":"

Ana Ak\u0131m<\/span><\/strong><\/h3>\n

Dryden’in Absalom ve Achitophel (1681) ve The Hind and the Panther ve Pope’s Rape of the Lock ve Dunciad gibi modern, d\u00fcnyevi, esprili alegorilerde Miltonik materyallerin Miltonik olmayan ama\u00e7lar i\u00e7in canl\u0131 bir yeniden kullan\u0131m\u0131 vard\u0131r. \u00d6rne\u011fin Absalom ve Achitophel, Milton’\u0131n partisinden olan siyasi d\u00fc\u015fmanlar\u0131na kar\u015f\u0131 Stuart krall\u0131\u011f\u0131n\u0131n yollar\u0131n\u0131 hakl\u0131 \u00e7\u0131karmak i\u00e7in bir Tory arg\u00fcman\u0131nda Milton’\u0131n b\u00fcy\u00fck masal\u0131n\u0131n ahlaki enerjisini benimser.<\/span><\/p>\n

Pope, t\u00fcm Avrupa pastoral gelene\u011finin \u00f6z\u00fcn\u00fc k\u00fc\u00e7\u00fck Pastorallerine dam\u0131tt\u0131\u011f\u0131 gibi, Homer’den Milton’a kadar t\u00fcm kahramanl\u0131k gelene\u011fini g\u00f6z kama\u015ft\u0131r\u0131c\u0131, rokoko, ahlak d\u0131\u015f\u0131, Lilliputvari, sahte destans\u0131 Rape of the Lock adl\u0131 \u015fiirine s\u0131k\u0131\u015ft\u0131rd\u0131. t\u00fcm oyunculu\u011fu, \u015fairin g\u00f6z\u00fcn\u00fcn vizyoner g\u00fcc\u00fc ad\u0131na Milton’\u0131nki kadar y\u00fcksek iddialarla sona erer.<\/span><\/p>\n

Milton’\u0131n kahramanca te\u015fbihleri, on sekizinci y\u00fczy\u0131l \u015fiirinin ana hatlar\u0131ndan birini olu\u015fturan Philip’s Cyder, Thomson’s Seasons, Dyer’s Fleece ve Cowper’s Task gibi bo\u015f m\u0131sral\u0131 georgiklerde \u0130ngiliz sahnesine do\u011falla\u015ft\u0131r\u0131lm\u0131\u015f ve onun Cennetsel fikirleri \u0130ngilizce sahnesine do\u011falla\u015ft\u0131r\u0131lm\u0131\u015ft\u0131r. L’Allegro ve Il Penseroso, Gray, Collins ve di\u011ferlerini bir \u015fairin karakteriyle ilgili \u00f6znel, meditatif \u015fark\u0131 s\u00f6zleri yazmaya te\u015fvik etti.<\/span><\/p>\n

Milton’\u0131n \u00f6tesinde, Peri Queene’in on sekizinci y\u00fczy\u0131lda, belki de \u00f6ncesinde veya sonras\u0131nda herhangi bir zamanda oldu\u011fundan daha abart\u0131l\u0131 bir \u015fekilde putla\u015ft\u0131r\u0131ld\u0131\u011f\u0131 Spenser yat\u0131yordu. Spenser, Dryden’\u0131n Kral Arthur’a (1691) ithaf\u0131nda, \u015fairin tamamen kendi verimli hayal g\u00fcc\u00fcnden yola \u00e7\u0131karak \u00e7al\u0131\u015ft\u0131\u011f\u0131 ve kendi hayallerinin yeni masals\u0131 d\u00fcnyalar\u0131n\u0131 yaratt\u0131\u011f\u0131 \u201cmasal yazma tarz\u0131\u201d dedi\u011fi \u015feyin romantik ustas\u0131 olarak \u00f6v\u00fcld\u00fc.\u00a0<\/span><\/p>\n

Dryden’in halefleri zengin betimlemeye, canl\u0131 ki\u015file\u015ftirmeye ve alegorilere de\u011fer verdi; Spenser’da ve bazen de Milton’da romantik, didaktik olmayan \u00f6\u011feleri ele ge\u00e7irdiler: Collins’in Il Penseroso ile Il Penseroso aras\u0131nda yar\u0131 yolda b\u0131rakan bir \u00fcslup ve ruh haliyle yaz\u0131lm\u0131\u015f \u00f6znel ve neredeyse ger\u00e7ek\u00fcst\u00fc Ode on the Poetical Character’e (1747) tan\u0131k olun. <\/span><\/p>\n

Di\u011ferleri, daha bilin\u00e7li ve tutarl\u0131 bir kendini ke\u015ffetme f\u0131rsat\u0131 olarak “\u015eairin \u015fairi” taklidi kulland\u0131: Thomson’\u0131n The Castle of Indolence (1748) adl\u0131 eserindeki \u015fato, \u015fairin kendi bencil, ahlaks\u0131z, yarat\u0131c\u0131 hayal g\u00fcc\u00fcn\u00fc temsil eder; James Beattie’nin The Minstrel (1771\u20134) adl\u0131 eseri, bir \u015fairin zihninin do\u011fal nesnelerin etkisi alt\u0131nda geli\u015fiminin izini s\u00fcrer; \u00e7ocuklu\u011fun ac\u0131lar\u0131, William Shenstone’un sevgi dolu pastoral-parodik The School-Mistress (1737) arac\u0131l\u0131\u011f\u0131yla duyulur. Spenser daha \u00f6nce sekiz heceli beyitlerde iki geni\u015f kapsaml\u0131, konu d\u0131\u015f\u0131na \u00e7\u0131kan, bilgili, romantik olmayan hiciv i\u00e7in malzeme sa\u011flam\u0131\u015ft\u0131: Samuel Butler’\u0131n Hudibras’\u0131 (1663\u201380) ve Matthew Prior’\u0131n Alma’s\u0131 (1718), ancak parodik \u00fcslubu ve s\u0131radan hayat\u0131n gidi\u015fat\u0131na tuhaf ilgileri vard\u0131.<\/span><\/p>\n

\n

Edebi<\/a> Ak\u0131mlar<\/span>
\nedebi ak\u0131mlar 11. s\u0131n\u0131f<\/span>
\nEdebi Ak\u0131mlar k\u0131saca<\/span>
\nEdebi ak\u0131mlar ve temsilcileri<\/span>
\nMaupassant hangi ak\u0131m<\/span>
\nEdebi Ak\u0131mlar \u00d6zellikleri<\/span>
\nCharles Dickens hangi ak\u0131m<\/span>
\nEdebiyat ak\u0131mlar\u0131 \u015fifreleme<\/span><\/p>\n

\n

Shakespeare s\u00f6zde Augustus d\u00f6neminde en az Milton ve Spenser kadar y\u00fcksek bir \u015fekilde \u00f6v\u00fcld\u00fc, ancak dramatik olmayan \u015fairler i\u00e7in o kadar s\u0131k \u200b\u200bbir model de\u011fildi. Genel olarak insan do\u011fas\u0131n\u0131n b\u00fcy\u00fck \u015fairi olarak sayg\u0131 g\u00f6r\u00fcrd\u00fc: Hayranlar\u0131 ve taklit\u00e7ileri Prior ve Pope’u i\u00e7eren Chaucer ve \u00f6zellikle onu bir hikaye anlat\u0131c\u0131s\u0131 olarak Ovid’e bile tercih eden ve onunla ger\u00e7ek bir akrabal\u0131k sergileyen Dryden de \u00f6yleydi. Fabllar\u0131nda (1700) Chaucerian hikayelerinin canl\u0131 versiyonlard\u0131r\u0131.<\/span><\/p>\n

Dryden’a g\u00f6re \u0130ngiliz \u015fiirinin babas\u0131 olan Chaucer, Spenser ve Milton kadar ‘klasik’ bir yazard\u0131, \u00e7\u00fcnk\u00fc \u015fiir, retorik, tarih ve mit arac\u0131l\u0131\u011f\u0131yla kesintisiz olarak yay\u0131lan edebi bir gelene\u011fe bilin\u00e7li olarak ba\u011fl\u0131yd\u0131.\u00a0<\/span><\/p>\n

Bu, \u0130ngiliz \u015fiirinin ana ak\u0131m\u0131 olmaya devam etti, ancak on sekizinci y\u00fczy\u0131lda \u015fairler ve ele\u015ftirmenler, bazen Spenserian ve di\u011fer romantizmle, bazen de Kelt kabilelerinin sadeli\u011fiyle ili\u015fkilendirilen, daha az eski olmayan kuzey ve bat\u0131 edebi geleneklerinin giderek daha fazla fark\u0131na vard\u0131lar. , do\u011faya tapan Druidik \u015fair-rahipler taraf\u0131ndan ve bazen kuzey kahramanl\u0131k \u00e7a\u011f\u0131nda sahip olunan, \u0130ngiltere’ye Anglo-Saksonlar taraf\u0131ndan nakledilen ve B\u00fcy\u00fck Alfred’in alt\u0131nda olgunla\u015fan, nadiren daha iyi belgelenmi\u015f ‘Gotik’ \u00f6zg\u00fcrl\u00fcklerle ba\u015fkanl\u0131k etti. (Asl\u0131nda, Bat\u0131-Sakson anayasal h\u00fck\u00fcmdar\u0131n\u0131n da Roma imparatorluk otokrat\u0131na hakaret edildi\u011fi kadar putla\u015ft\u0131r\u0131ld\u0131\u011f\u0131 ‘A\u011fustos’ \u0130ngiltere’de bir Alfred k\u00fclt\u00fc vard\u0131: \u00f6rne\u011fin, Johnson, cant’a teslim olmayan bir Tory, at\u0131fta bulunuldu. Modern \u00e7\u00f6k\u00fc\u015fe kar\u015f\u0131 Juvenal hicivinde ‘Alfred’in alt\u0131n saltanat\u0131’, Londra, 1738; Whig Thomson’\u0131n ‘Rule Britannia’s\u0131 ilk kez 1740’ta Alfred maskesiyle s\u00f6ylendi.)<\/span><\/p>\n

Sir William Temple’\u0131n ‘Of Heroic Virtue’ (1692) adl\u0131 makalesi, ilk olarak Eski \u0130zlanda \u015fiirini geni\u015f kitlelere duyurdu; Addison’\u0131n iki Spectator gazetesinde (1712) eski “Chevy Chase” balad\u0131n\u0131 \u00f6vmesi etkiliydi; Allen Ramsay, The Ever-Green’de (1724) orta\u00e7a\u011f \u0130sko\u00e7 \u015fark\u0131lar\u0131n\u0131 ve baladlar\u0131n\u0131 toplad\u0131; Gray, 1768’de iki \u0130zlandaca ve iki Galce \u015fiirinin \u00fccretsiz \u00e7evirilerini yay\u0131nlad\u0131; Thomas Warton’\u0131n History of English Poetry (1774\u201381) adl\u0131 eseri, orta\u00e7a\u011fdan kalma \u00e7ok say\u0131da \u015fiiri g\u00fcn \u0131\u015f\u0131\u011f\u0131na \u00e7\u0131kard\u0131; ancak, Wordsworth ve Coleridge’in tan\u0131kl\u0131k etti\u011fi gibi, en b\u00fcy\u00fck etki Thomas Percy’nin orta\u00e7a\u011f Border baladlar\u0131n\u0131n, \u00f6l\u00e7\u00fcl\u00fc a\u015fk romanlar\u0131n\u0131n ve Elizabeth d\u00f6nemi \u015fark\u0131lar\u0131n\u0131n d\u00fczenlenmi\u015f versiyonlar\u0131n\u0131 bir araya getiren Reliques of Ancient English Poetry (1765) taraf\u0131ndan yap\u0131ld\u0131.<\/span><\/p>\n

On sekizinci y\u00fczy\u0131l \u015fairleri, kendi \u015fiirlerinde, Papa’n\u0131n Ovidia’n\u0131n kahramanca mektubunda, Eloisa’dan Abelard’a ve Eloisa’dan Abelard’a kadar pek \u00e7ok farkl\u0131 t\u00fcrden “orta\u00e7a\u011f” etkisini yeniden yaratmaya \u00e7al\u0131\u015ft\u0131lar. Gray’in Pindaric kasidesi ‘The Bard’ (1757)’daki \u00f6l\u00fcme mahk\u00fbm bir on \u00fc\u00e7\u00fcnc\u00fc y\u00fczy\u0131l Galli ozan\u0131 tasvirinin, David Mallet’in ‘William and Margaret’ balad\u0131n\u0131n basit \u00fcslubuna, basit duygular\u0131na ve halk bat\u0131l inan\u00e7lar\u0131na belki de daha az inand\u0131r\u0131c\u0131 olan abart\u0131l\u0131 y\u00fcceli\u011fi ve kehanetvari \u00f6vg\u00fcs\u00fc s\u00f6z konusudur.<\/span><\/p>\n

Mallet, Prior, Goldsmith, Percy ve di\u011fer orta\u00e7a\u011f baladlar\u0131n\u0131n taklitleri, James Macpherson taraf\u0131ndan 1760’larda, eski Gael destanlar\u0131n\u0131n \u00e7evirileri oldu\u011fu iddia edilen \u015feyleri yazd\u0131\u011f\u0131nda, James Macpherson taraf\u0131ndan uygulanan toplam taklit\u00e7ili\u011fin yar\u0131s\u0131d\u0131r. Efsanevi Fingal veya Thomas Chatterton taraf\u0131ndan, 1768 ile 1770 y\u0131llar\u0131 aras\u0131nda, hayali bir on be\u015finci y\u00fczy\u0131l Bristol ke\u015fi\u015fine atfedilen ‘Rowley’ \u015fiirlerini yazarken icat edilmi\u015f bir ‘orta\u00e7a\u011f’ dilini kullan\u0131r.<\/span><\/p>\n

\u0130\u015flenmemi\u015f manzaralardaki orta\u00e7a\u011f binalar\u0131n\u0131n veya harabelerinin ‘Gotik’ ortamlar\u0131, d\u0131\u015f sahnenin alg\u0131layan\u0131n melankolisini yans\u0131tt\u0131\u011f\u0131 ve genellikle Milton’\u0131n Il Penseroso’sunu yans\u0131tan \u00e7ok \u00e7e\u015fitli lirik \u015fiirlerde yer al\u0131r.<\/span><\/p>\n

Milton’\u0131n Lycidas’\u0131 Druidlere ilgiyi te\u015fvik etti; Dryden’\u0131n ‘Lord Chancellor’um’ (1662) ve Swift’in ‘To Mr. Congreve’ (1693) adl\u0131 yap\u0131tlar\u0131nda Albion’un en eski yerli \u015fairleri olarak ve Pope’un yaz\u0131lmam\u0131\u015f Brutus, Thomson’s Liberty’sinde (1735-6) orijinal vatanseverler olarak selamlan\u0131rlar. , Collins ve Gray’in kasideleri ve Cowper’\u0131n ‘Boadicea’s\u0131 (1782); do\u011fa \u015fairleri olarak \u00fcnleri, Collins’i Thomson’\u0131 o \u015faire dair ak\u0131ldan \u00e7\u0131kmayan a\u011f\u0131tlar\u0131nda (1748) bir b\u00fcy\u00fcc\u00fc olarak adland\u0131rmaya sevk etti; karma\u015f\u0131k imajlar\u0131, Blake ve Wordsworth’\u00fcn hayal g\u00fc\u00e7lerini k\u0131zd\u0131rmak i\u00e7in ya\u015fad\u0131.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

Ana Ak\u0131m Dryden’in Absalom ve Achitophel (1681) ve The Hind and the Panther ve Pope’s Rape of the Lock ve Dunciad gibi modern, d\u00fcnyevi, esprili alegorilerde Miltonik materyallerin Miltonik olmayan ama\u00e7lar i\u00e7in canl\u0131 bir yeniden kullan\u0131m\u0131 vard\u0131r. \u00d6rne\u011fin Absalom ve Achitophel, Milton’\u0131n partisinden olan siyasi d\u00fc\u015fmanlar\u0131na kar\u015f\u0131 Stuart krall\u0131\u011f\u0131n\u0131n yollar\u0131n\u0131 hakl\u0131 \u00e7\u0131karmak i\u00e7in bir Tory…
Devam\u0131<\/a><\/p>\n","protected":false},"author":6,"featured_media":8362,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[19979,19980,19978],"tags":[19984,19981,18582,18580,18581,19982,18583,19983],"class_list":["post-9096","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-edebi-akimlar-ozellikler","category-edebi-akimlar-ve-temsilciler","category-edebiyat-akimlari-sifrelemeler","tag-charles-dickens-hangi-akim","tag-edebi-akimlar","tag-edebi-akimlar-11-sinif","tag-edebi-akimlar-kisaca","tag-edebi-akimlar-ozellikleri","tag-edebi-akimlar-ve-temsilcileri","tag-edebiyat-akimlari-sifreleme","tag-maupassant-hangi-akim"],"aioseo_notices":[],"aioseo_head":"\n\t\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t