{"id":9826,"date":"2022-05-17T11:39:06","date_gmt":"2022-05-17T08:39:06","guid":{"rendered":"https:\/\/bestessayhomework.com\/tr\/?p=9826"},"modified":"2022-05-17T11:39:06","modified_gmt":"2022-05-17T08:39:06","slug":"etkili-soylemler-edebiyat-alaninda-tez-yaptirma-edebiyat-tez-yaptirma-ucretleri-edebiyat-odevleri-edebiyat-odev-ucretleri","status":"publish","type":"post","link":"https:\/\/bestessayhomework.com\/tr\/etkili-soylemler-edebiyat-alaninda-tez-yaptirma-edebiyat-tez-yaptirma-ucretleri-edebiyat-odevleri-edebiyat-odev-ucretleri\/","title":{"rendered":"Etkili S\u00f6ylemler \u2013 Edebiyat Alan\u0131nda Tez Yapt\u0131rma \u2013 Edebiyat Tez Yapt\u0131rma \u00dccretleri \u2013 Edebiyat \u00d6devleri \u2013 Edebiyat \u00d6dev \u00dccretleri"},"content":{"rendered":"

Etkili S\u00f6ylemler <\/span><\/strong><\/h3>\n

En etkili olan, “\u015e\u00f6len Evi ve Yas Evi Tan\u0131mland\u0131” ba\u015fl\u0131kl\u0131 \u00e7al\u0131\u015fmas\u0131nda Sterne, \u00f6l\u00fcmle ilgili yayg\u0131n din adamlar\u0131n\u0131n s\u00f6yleminin, yaln\u0131zca “bir \u00e7atlak i\u00e7in” uygun olan “anlams\u0131z bir aziz gezginli\u011fi” oldu\u011funu savundu.\u00a0<\/span><\/p>\n

Ayn\u0131 zamanda, \u0131zd\u0131rap \u00fczerine belirli bir t\u00fcr d\u00fc\u015f\u00fcnmenin, “d\u00fcnyan\u0131n acelesi ve tela\u015f\u0131”na kar\u015f\u0131 yararl\u0131 bir panzehir oldu\u011funu \u00f6ne s\u00fcrd\u00fc. Bilgelere ara s\u0131ra “e\u015fcinsel sahnesinden” uzakla\u015fmalar\u0131n\u0131n ve “yas evi”ne girmelerinin tavsiye edilece\u011fini \u00f6ne s\u00fcrd\u00fc.<\/span><\/p>\n

Ne bir korku ne de a\u011f\u0131t yurdu olan Sterne’nin “yas evi”, g\u00fcndelik hayat\u0131n ola\u011fan felaketleri taraf\u0131ndan b\u00f6yle yap\u0131lm\u0131\u015ft\u0131r. \u015eunlarla doluydu: aptal bir \u00e7ocu\u011fun \u00f6l\u00fcm\u00fcn\u00fcn yas\u0131n\u0131 tutan ya\u015fl\u0131 ana-babalar; a\u00e7l\u0131ktan k\u0131vranan erdemli bir aile; tek o\u011flunun yas\u0131n\u0131 tutan bir dul.<\/span><\/p>\n

Sterne’nin Tristram Shandy’deki Le Fever hikayesinde zaten ke\u015ffetmeye ba\u015flad\u0131\u011f\u0131, ancak A Duygusal Yolculuk’ta tuhaf bir \u015fekilde geli\u015ftiremedi\u011fi bu t\u00fcr ac\u0131kl\u0131 sahneler, t\u00fcm “hafifli\u011fi ve da\u011f\u0131lmay\u0131” kontrol etti, t\u00fcm “da\u011f\u0131n\u0131k d\u00fc\u015f\u00fcnceler”i eve \u00e7a\u011f\u0131rd\u0131 ve bizi yapt\u0131. karde\u015flerimize kar\u015f\u0131 daha anlay\u0131\u015fl\u0131. Bu durumlarda, bir adam “dalg\u0131n”, “yumu\u015fak” ve “hassas” hale getirildi; o, “duyuyla ve erdem sevgisiyle d\u00f6v\u00fcld\u00fc”.<\/span><\/p>\n

Takip eden y\u0131llarda, bir\u00e7ok vaaz, hitap ve etik deneme, Sterne’nin orijinal i\u00e7g\u00f6r\u00fcs\u00fcn\u00fcn izlerini ta\u015f\u0131yordu. \u00d6zellikle, 18. y\u00fczy\u0131lda The Spectator’a yap\u0131lan sat\u0131\u015flarda ikinci olan Hugh Blair’in Vaazlar\u0131, \u00f6l\u00fcm \u00fczerine belirli bir bak\u0131\u015f a\u00e7\u0131s\u0131n\u0131n toplumsal \u00f6nemini ayr\u0131nt\u0131lar\u0131yla ele ald\u0131. Blair, okuyucular\u0131na s\u00fcrekli olarak “Yas Evi’nden elde edilecek Yararlar \u00dczerine” tavsiyesinde bulundu.<\/span><\/p>\n

\u00d6zellikle gen\u00e7 dinleyicilerini “g\u00fcndelik ya\u015fam\u0131n s\u0131k\u0131nt\u0131lar\u0131n\u0131: tek ba\u015f\u0131na bir kul\u00fcbenin, \u00f6len ebeveynin ve a\u011flayan \u00f6ks\u00fcz\u00fcn” d\u00fc\u015f\u00fcnmeye al\u0131\u015ft\u0131rmaya te\u015fvik etti.<\/span><\/p>\n

Yas evine g\u00f6n\u00fcll\u00fc olarak girerek: onun uyand\u0131rd\u0131\u011f\u0131 duygulara teslim olarak ve g\u00f6zya\u015flar\u0131m\u0131z\u0131 ac\u0131 \u00e7ekenlerinkiyle kar\u0131\u015ft\u0131rarak, ya\u015fam\u0131n do\u011fas\u0131n\u0131n en y\u00fcksek s\u00fcslerinden biri olan o insani duyarl\u0131l\u0131\u011f\u0131 kazanaca\u011f\u0131z. Uygun bir \u015fekilde “\u00d6l\u00fcm \u00dczerine” ba\u015fl\u0131kl\u0131 bir vaazda Blair, okuyucular\u0131na “insanl\u0131\u011f\u0131n \u0131\u015f\u0131lt\u0131s\u0131” ile kalbi \u0131s\u0131tan o “cenaze melankolisi”nin tad\u0131na varmalar\u0131n\u0131 tavsiye etti.<\/span><\/p>\n

Sterne ve Blair’in vaazlar\u0131 etkili olmasa da hi\u00e7bir \u015fey de\u011fildi ve Kalvinist ya da gotik yas evinin aksine duygusal olan, on sekizinci y\u00fczy\u0131l\u0131n ikinci yar\u0131s\u0131nda ahlak \u00f6\u011freten edebiyat\u0131n temelini olu\u015fturdu.<\/span><\/p>\n

The Theory of Moral Sentiments’\u0131n son bask\u0131s\u0131nda Smith, okuyucular\u0131na “\u00f6len arkada\u015flar\u0131m\u0131z\u0131n melankolik ve sevgi dolu bir hat\u0131ras\u0131n\u0131” tavsiye etti.<\/span><\/p>\n

Pop\u00fcler bir Londra vaizi, English Review’un edit\u00f6r\u00fc ve Henry Mackenzie’nin yak\u0131n arkada\u015f\u0131 olan Rahip John Logan, “y\u00fcrekte kederin sesine” ayarlanm\u0131\u015f bir tel oldu\u011funu \u00f6ne s\u00fcrd\u00fc; keder izlenimleri, tam da t\u00fcm sempatik duygular\u0131n ortaya \u00e7\u0131kt\u0131\u011f\u0131 “erdemli duyarl\u0131l\u0131\u011f\u0131” do\u011furdu.<\/span><\/p>\n

Gen\u00e7 Kad\u0131nlara Vaazlar\u0131 (1766) y\u00fczy\u0131l\u0131n ikinci yar\u0131s\u0131nda se\u00e7kin kad\u0131n ahlak e\u011fitiminin temelini olu\u015fturan James Fordyce, hassas gen\u00e7 okuyucular\u0131na yas evine kat\u0131lmalar\u0131n\u0131 tavsiye etti, \u00e7\u00fcnk\u00fc “erdemli \u00fcz\u00fcnt\u00fcye kat\u0131lan” bir duygu vard\u0131.\u00a0<\/span><\/p>\n

\n

S\u00f6ylem nedir<\/span>
\nS\u00f6ylem<\/a> nedir \u00f6rnek<\/span>
\nS\u00f6ylem \u00c7\u00d6Z\u00dcMLEMES\u0130 nedir<\/span>
\nS\u00f6ylem nedir sosyoloji<\/span>
\nS\u00f6ylem analizi nedir<\/span>
\nNitel ara\u015ft\u0131rma Y\u00f6ntemleri s\u00f6ylem analizi<\/span>
\nMeta s\u00f6ylem Nedir<\/span>
\nS\u00f6ylem T\u00fcrleri nelerdir<\/span><\/p>\n

\n

Vicesimus Knox, John Bennett, John Drysdale, Thomas Somerville ve Samuel Charters gibi \u0130ngiliz vaizler ve ahlak\u00e7\u0131lar, \u00f6l\u00fcm ve ac\u0131n\u0131n duygusal olarak yeniden de\u011ferlendirilmesini daha da geli\u015ftirdiler. Adam Smith’in yak\u0131nlar\u0131ndan Drysdale, “Ac\u0131lar\u0131n”, “kalplerimizi, di\u011fer yarat\u0131klara kar\u015f\u0131 sevecen bir sempati ve \u015fefkatle yumu\u015fatma e\u011filiminde oldu\u011funu” \u00f6ne s\u00fcrd\u00fc.<\/span><\/p>\n

\u00dcz\u00fcnt\u00fc sahneleri kalbi insanla\u015ft\u0131r\u0131r’, diye yineledi Smith’in favori vaizlerinden biri olan melankolik Samuel Charters ve ‘kalp saf ciddi bir hay\u0131rsever \u00e7er\u00e7eveye d\u00f6n\u00fc\u015ft\u00fcr\u00fcl\u00fcr’.<\/span><\/p>\n

Blair’in d\u00f6n\u00fc\u015f\u00fcml\u00fc olarak “yumu\u015fak melankoli” ve “sempatinin hassas melankolisi” olarak adland\u0131rd\u0131\u011f\u0131 \u015feyin etik ve dini olarak benimsenmesi, duygusal hareketin a\u00e7\u0131k\u00e7a didaktik karakterini ayd\u0131nlat\u0131r.<\/span><\/p>\n

Bu didaktiklik ayn\u0131 zamanda en iyi duygusal roman ve denemelerin de \u00f6zelli\u011fiydi. Brooke, Harry Clinton’\u0131n kar\u0131s\u0131 Matty’nin \u00f6l\u00fcm\u00fc gibi b\u00f6l\u00fcmlerde “kederdeki zevkin” e\u011fitici-etik \u00f6zelliklerini ara\u015ft\u0131rd\u0131.<\/span><\/p>\n

Ancak Harry Clinton’\u0131n akl\u0131, duygular\u0131n\u0131n keskinli\u011fi taraf\u0131ndan tamamen gasp edilir ve ge\u00e7ici olarak akl\u0131 kar\u0131\u015f\u0131r. Ayr\u0131ca, kar\u0131s\u0131n\u0131n cesedine y\u00f6nelik tutumu, dikkati etik mesajdan uzakla\u015ft\u0131ran belirgin bir nekrofilik niteli\u011fe sahiptir.<\/span><\/p>\n

\u00d6l\u00fcme kar\u015f\u0131 uygun duygusal tepkiyi en dikkatli \u015fekilde ortaya \u00e7\u0131karan b\u00f6l\u00fcmleri olu\u015fturmak Henry Mackenzie’ye b\u0131rak\u0131ld\u0131. Mackenzie, “H\u00fcz\u00fcn sahnelerinden elde edilecek avantajlar” ba\u015fl\u0131kl\u0131 bir denemede, Sterne ve Blair’i izleyerek “yas evine gitmenin” bazen uygun oldu\u011funu \u00f6ne s\u00fcrd\u00fc.<\/span><\/p>\n

\u00d6rne\u011fin, erdemli bir gen\u00e7 han\u0131m\u0131n \u00f6l\u00fcm\u00fcn\u00fcn ger\u00e7ek ya da hayali olarak d\u00fc\u015f\u00fcn\u00fclmesi, erdeme yol a\u00e7an “sempatik bir zevk” do\u011furdu. B\u00f6yle melankolik bir ho\u015fg\u00f6r\u00fcn\u00fcn, ke\u015fi\u015f dininin “\u00f6l\u00fcm\u00fcn ba\u015f\u0131”ndan ve “kemiklerinden” \u00e7ok uzak oldu\u011funu \u00f6ne s\u00fcrd\u00fc.<\/span><\/p>\n

Mackenzie, “toplumsal sevgi ve sosyal sempatinin s\u0131cakl\u0131\u011f\u0131” ile karakterize edilen “kalp zay\u0131fl\u0131\u011f\u0131 ve insanl\u0131\u011f\u0131n g\u00f6revlerini hissedecektir” diye devam etti. Mezardaki tabutun son dinlenmesine uygun yan\u0131t “korku” de\u011fil “ac\u0131ma”yd\u0131.<\/span><\/p>\n

Mackenzie, “ki\u015fisel ve ev i\u00e7i s\u0131k\u0131nt\u0131” hayali sahnelerinin kalbi b\u00fcy\u00fctmek i\u00e7in g\u00fcc\u00fcn\u00fc vurgulad\u0131. Ayr\u0131ca, bu t\u00fcr temsillerin en etkili olaca\u011f\u0131 ko\u015fullar\u0131 belirledi. \u00d6l\u00fcm d\u00f6\u015fe\u011fi sahneleri “ac\u0131man\u0131n basitli\u011finin \u00f6tesinde karma\u015f\u0131k” olmamal\u0131, g\u00fcnl\u00fck hayat\u0131n i\u00e7inde bulundu\u011fu trajedilere s\u0131k\u0131 s\u0131k\u0131ya odaklan\u0131lmal\u0131yd\u0131.<\/span><\/p>\n

Dikkat da\u011f\u0131tan t\u00fcm ayr\u0131nt\u0131lar ortadan kald\u0131r\u0131lacakt\u0131; Seyirci sempatisine ne zaman m\u00fcdahale etseler, “\u015fiirsel adalet” gibi klasik kavramlar da \u00f6yleydi. Kahraman\u0131n, kederin ak\u0131\u015f\u0131n\u0131 engelleyebilecek bu “rekabet” veya “k\u0131skan\u00e7l\u0131\u011f\u0131” uyand\u0131rmamak i\u00e7in yeterince nazik, al\u00e7akg\u00f6n\u00fcll\u00fc ve erdemli olmas\u0131 gerekiyordu.<\/span><\/p>\n

Yazar\u0131n s\u00f6zleri, \u00e7o\u011funlukla aldatma ve kafa kar\u0131\u015f\u0131kl\u0131\u011f\u0131 ara\u00e7lar\u0131, okuyucunun tepkileri gibi minimumda tutulmal\u0131yd\u0131. G\u00f6zya\u015flar\u0131n\u0131n dili, ak\u0131c\u0131 erdem, yazar\u0131n yetene\u011finin do\u011fru bir \u015fekilde kabul edilmesiydi.<\/span><\/p>\n

Anlat\u0131 plan\u0131 bile ‘duygular\u0131 yok etmemek’ i\u00e7in k\u00fc\u00e7\u00fclt\u00fclecekti. Mackenzie, bir romantizmden ziyade “k\u00fc\u00e7\u00fck maceralar\u0131n resitalleri” olarak gururla tan\u0131mlad\u0131\u011f\u0131 Duygu Adam\u0131’nda m\u00fckemmel \u00fcr\u00fcn\u00fc elde etti\u011fine inan\u0131yordu.<\/span><\/p>\n

Ne The Man of Feeling ne de Mackenzie’nin di\u011fer romanlar\u0131ndan hi\u00e7biri, duyguyu ak\u0131lla \u00e7eli\u015fmedi. Ne de baz\u0131lar\u0131n\u0131n \u00f6ne s\u00fcrd\u00fc\u011f\u00fc gibi, kendi iyili\u011fi i\u00e7in pathos’a kap\u0131lmad\u0131lar.<\/span><\/p>\n

Bunun yerine, talihsizlikleri ve \u00f6l\u00fcmleri seyirci sempatisini uyand\u0131rabilecek ger\u00e7ek ve sempatik karakterlerin g\u00fcnl\u00fck ya\u015famdaki geli\u015fimini ayd\u0131nlatmaya \u00e7al\u0131\u015ft\u0131lar. Kas\u0131tl\u0131 olarak par\u00e7a par\u00e7a olan The Man of Feeling’in her b\u00f6l\u00fcm\u00fc, ahlaki ger\u00e7ek ve duygunun sergilendi\u011fi yal\u0131t\u0131lm\u0131\u015f ve \u00f6z\u00fcnde \u00f6zel bir sahneyi resmetti.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

Etkili S\u00f6ylemler En etkili olan, “\u015e\u00f6len Evi ve Yas Evi Tan\u0131mland\u0131” ba\u015fl\u0131kl\u0131 \u00e7al\u0131\u015fmas\u0131nda Sterne, \u00f6l\u00fcmle ilgili yayg\u0131n din adamlar\u0131n\u0131n s\u00f6yleminin, yaln\u0131zca “bir \u00e7atlak i\u00e7in” uygun olan “anlams\u0131z bir aziz gezginli\u011fi” oldu\u011funu savundu.\u00a0 Ayn\u0131 zamanda, \u0131zd\u0131rap \u00fczerine belirli bir t\u00fcr d\u00fc\u015f\u00fcnmenin, “d\u00fcnyan\u0131n acelesi ve tela\u015f\u0131”na kar\u015f\u0131 yararl\u0131 bir panzehir oldu\u011funu \u00f6ne s\u00fcrd\u00fc. Bilgelere ara s\u0131ra “e\u015fcinsel…
Devam\u0131<\/a><\/p>\n","protected":false},"author":6,"featured_media":9537,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[22305,22306,22307],"tags":[19192,22311,19193,22309,19191,22308,22310,22312],"class_list":["post-9826","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-soylem-nedir-ornek","category-soylem-nedir-sosyoloji","category-soylem-turleri-nelerdir","tag-meta-soylem-nedir","tag-nitel-arastirma-yontemleri-soylem-analizi","tag-soylem-analizi-nedir","tag-soylem-cozumlemesi-nedir","tag-soylem-nedir","tag-soylem-nedir-ornek","tag-soylem-nedir-sosyoloji","tag-soylem-turleri-nelerdir"],"aioseo_notices":[],"aioseo_head":"\n\t\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t